This twisty thriller sows the seeds of an engrossing dystopian saga.
In a post-apocalyptic world, some stragglers must find out what they are made of in this series opener.
When Brian Rhodes and his cousin Steven Driscoll emerge from their hiding place, it’s been two years since a deadly virus spread across the globe, eradicating most of the inhabitants. Brian and Steven are two of the lucky ones. Their uncle, a high-ranking American government official named Lt. Gen. Albert Driscoll, built them a bunker deep in the South and gave them instructions to reunite with Steven’s sister, Bethany, then journey to an agreed-upon location. In British Columbia, Simon Kalispell is working with a similar plan. The earthy Simon comes from a rich, well-connected family that thought his best bet at survival would be to tough it out in a remote cabin and reunite with the clan later. Each survivor is heading east, where, unbeknown to them, Albert has attempted to create some semblance of a government. But as any good dystopian narrative knows, where there’s weakness, there’s division. While Albert and his men try to restore peace, others believe they require increased militarization to mobilize against the outside world, full of haphazard gangs, cannibals, and sadists struggling to survive. These are the conditions Brian, Steven, and Simon meet as they struggle to make it across country, and their survival depends on making the right choices. Zenner (Whiskey Devils, 2016, etc.) skillfully shows how desperate conditions can force good people to do bad things, and bad people to do even worse deeds. But while Brian, Steven, and Simon are all richly shaded, the secondary characters are not as fully developed. Along the way, Brian collects Bethany and a female friend. The women are vague in characterization (tough and capable in one moment; weepy or shy the next), which leaves their subsequent romantic arcs seeming obligatory and one-dimensional. This kind of indistinct worldbuilding plagues an otherwise promising novel about the limits of humanity in trying times. With more books planned for the series, this may yet be corrected.
This twisty thriller sows the seeds of an engrossing dystopian saga.Pub Date: June 30, 2017
ISBN: 978-0-692-90762-7
Page Count: 444
Publisher: Time Tunnel Media
Review Posted Online: Dec. 11, 2018
Review Program: Kirkus Indie
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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