by Brenda Rickman Vantrease ‧ RELEASE DATE: March 1, 2007
Readers will agree that answers, and the Reformation, can’t come soon enough.
Female scribe finds heretical love in Vantrease’s engrossing follow-up to The Illuminator (2005).
In early-15th-century Prague, Anna, granddaughter of Finn the Illuminator, copies, translates and draws ornate designs on manuscripts. She and a small band of students are under suspected of copying heretical texts, among them the Wycliffe, or Lollard Bible. This vernacular text is banned by Rome because it allows the Latin-illiterate laity to read the Gospels, in which they will find no scriptural basis for Purgatory or indulgences. When Anna’s fiancé is executed for burning indulgences, her dying grandfather urges her to seek out Sir John Oldcastle, a Lollard sympathizer, in England. Anna reaches France with a band of Gypsies, one of whom pulled her from the river after a suicide attempt. In Rheims, she encounters cloth merchant VanCleve, who is actually a Dominican friar, and a sometime indulgence-seller named Gabriel. A spy sent to France by Archbishop Arundel of Canterbury to look for Lollards, Gabriel commissions a forbidden text from Anna, but his mission is impeded by his growing attraction to her. After forsaking Gabriel’s vow of chastity, “VanCleve” departs. Anna travels to England, where she is taken in by Oldcastle and Lady Joan, his lusty wife. Now pregnant, Anna finds work at Rochester Priory, where Lollard nuns are busy transcribing what they shouldn’t. Their Abbess, Mother Kathryn, turns out to be Anna’s grandmother. Will Gabriel discover the secret of his birth and its curious parallels to his current dilemma? Will he meet Anna again and defrock them both?
Readers will agree that answers, and the Reformation, can’t come soon enough.Pub Date: March 1, 2007
ISBN: 0-312-33193-2
Page Count: 384
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2007
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BOOK REVIEW
by Madeline Miller ‧ RELEASE DATE: April 10, 2018
Miller makes Homer pertinent to women facing 21st-century monsters.
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A retelling of ancient Greek lore gives exhilarating voice to a witch.
“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.
Miller makes Homer pertinent to women facing 21st-century monsters.Pub Date: April 10, 2018
ISBN: 978-0-316-55634-7
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
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PROFILES
by Kristin Hannah ‧ RELEASE DATE: Feb. 3, 2015
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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