The human comedy takes a wicked turn in Flaherty’s masterfully orchestrated novel.
Small-town screw-up Jake Flynn is drawn into a world of crime by a childhood classmate he hasn’t seen in 30 years.
Jake, 39 “and already exhausted,” lives in (fictional) Bellewood, Connecticut, with his long-suffering but remarkably tolerant wife, Mattie, the family breadwinner, and their two kids. They’re looking to move out of their cramped rental house into a home of their own but those hopes are plummeting as Jake, a one-time novelist, messes up at his job at an online marketing company. His circumstances aren’t helped by the sudden appearance of the loquacious Eddie Seymour, who’s every bit the delinquent he was when he and Jake were kids and threw plastic bags filled with urine at passing cars. After discovering Eddie living in the barn behind Jake’s house (both owned by Eddie’s uncle), Jake becomes an instant object of manipulation, suckered into posing with sexual playmates of Eddie’s just as they bare their breasts for the camera. In spite of everything, the lonely Jake gradually warms to Eddie, allowing himself to become implicated in a scheme to steal a valuable stained-glass window from a mausoleum. Eddie desperately wants it to complete an art installation he’s creating for the town’s annual Big Flea event. Trevor Cosgrove, a troubled teen whose father is in prison, and Eddie’s fragile mother, Edwina, the self-appointed town historian, also get caught up in the scheme, which culminates in a devastating event on Main Street and a shocking revelation. Making the hapless Jake and especially the conniving Eddie sympathetic is an impressive feat. Flaherty achieves it by tapping into the basic humanity beneath the absurdity. “Like, is this the end of people?” Eddie asks in the calm before the storm. He’s not just talking about climate change.
The human comedy takes a wicked turn in Flaherty’s masterfully orchestrated novel.Pub Date: Nov. 10, 2026
ISBN: 9780802167422
Page Count: 304
Publisher: Atlantic Crime
Review Posted Online: Sept. 28, 2026
Kirkus Reviews Issue: Nov. 1, 2026
BOOK REVIEW
The story unfolds so irresistibly that newcomers may think Grisham’s been writing thrillers like this his whole life.
What hasn’t legendary legal eagle Grisham tried yet? How about a thriller about serial kidnapping and international terrorism.
When Paul and Chelsea Tanner disappear during a day trip on their Paris honeymoon, their abductors demand a ransom of $2 million from Chelsea’s wealthy parents, and a few days later the same sum from Paul’s much less well-heeled parents. After orthopedist Lowell Clayburn, Chelsea’s father, ponies up the ransom without breathing a word to the authorities, his daughter is promptly released. But even though Paul’s parents sell their home, liquidate their assets, and borrow money from the Clayburns to meet the kidnappers’ demands, the villains hold on to Paul anyway. Asked whether he’s ever seen such an outcome in a double kidnapping, FBI deputy director Andrew Strong tells Lowell: “No, this is a new one.” But it’s not, as Strong knows all too well; it’s the third such active case, all involving honeymooning couples whose bridegrooms had served in the armed forces. After masterfully drawing readers in with his bare-knuckle account of the Tanners’ abduction and the attempt by their families and the CIA to tell the lies required to keep caring friends and the rapacious press at bay, Grisham effortlessly switches gears to follow CIA agent Rae Claire Russo and Stuart Nash, a former Department of Justice prosecutor at Guantanamo Bay who agrees to marry her so they can serve as bait for the kidnappers, whose motives include justice and revenge as well as cold hard cash. So much for the imprisoned Paul’s wistful reflection that “hopefully, it was only about money.”
The story unfolds so irresistibly that newcomers may think Grisham’s been writing thrillers like this his whole life.Pub Date: Sept. 29, 2026
ISBN: 9780385550543
Page Count: 352
Publisher: Doubleday
Review Posted Online: Aug. 17, 2026
Kirkus Reviews Issue: Sept. 15, 2026
Brilliant, affecting work from one of contemporary literature’s masters.
A phone call from her past disrupts the tenuously reconstructed life of a concert pianist turned farmer’s wife.
We know from the beginning that Livia Cable is the battered survivor of her brother Cyrus’ death by suicide, a devastating romance, and a career-ending injury. Only 11 when Cyrus stepped in front of a train, she was already marked out as different in her rural Tennessee hometown by her extraordinary musical ability. The siblings had huddled together against their angry mother’s frequent beatings, and Livia still feels abandoned by Cyrus years later, when she picks up the phone to hear the voice of Sigurd, the fiery labor organizer she loved and lost to “the revolution” while on scholarship at the Indiana University School of Music. Now married to kind, steady childhood friend Charlie, Livia looks back on her affair with Sigurd as she struggles to deal with the recent death of her mother, a compulsive hoarder who left a house stuffed with junk to be disposed of and bitter memories that haven’t faded over time. Kingsolver skillfully juggles the two time frames to unravel Livia’s complicated feelings about the life she lost when her right hand was crushed and the life she has now as a country piano teacher. A partita, she explains to Sigurd early on, “is a composition made of a lot of parts with a lot of different moods…the artist’s work is to make them all add up to something that feels whole.” That’s precisely what Kingsolver does in this beautifully paced and judged narrative, which builds to revelations uncovered amid the piles of trash in Livia’s childhood home about the reasons for Cyrus’ suicide (clearly foreshadowed) and their mother’s rage (startling and heartbreaking). A fierce belief that great art is for everyone joins Kingsolver’s familiar preoccupations with class distinctions, social injustice, and the complex bonds of family and community in a tender denouement.
Brilliant, affecting work from one of contemporary literature’s masters.Pub Date: Oct. 6, 2026
ISBN: 9780063577541
Page Count: 352
Publisher: Harper/HarperCollins
Review Posted Online: July 6, 2026
Kirkus Reviews Issue: Aug. 1, 2026
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
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