It’s not Doctorow’s Ragtime, but there’s a similar feel in this impressive, wide-ranging debut.

THE WORLD OF TOMORROW

Mathews' colorful debut novel examines the legacy of Irish political violence for a family in both the old country and New York during one busy week in 1939.

Francis Dempsey, who has been jailed for selling banned books and luxury items, gets a furlough from Dublin’s Mountjoy Jail for his father’s funeral. There, he is joined by his unhappy seminarian brother, Michael, and several old Irish Republican Army buddies of his father’s, who rig an escape for the brothers that involves an IRA bomb factory. There, an accidental explosion leaves Michael shellshocked and the brothers in possession of a Republican war chest. Francis uses the money to present himself as a Scottish lord and books passage for himself and his brother to New York on the RMS Britannic. His fake title leads Francis to a wealthy Manhattan girlfriend and a dangerous role in a New York mob boss’s plans. Michael's dazed state leads to a fascinating relationship with the restless ghost of the recently deceased William Butler Yeats. Meanwhile—and there’s a lot of meanwhile in this busy doorstop—a third Dempsey brother, Martin, who has been in New York for 10 years, is trying to get a jazz band together for his sister-in-law’s wedding reception and impress recording legend John Hammond. But the bride-to-be, who performs synchronized swimming as an AquaBelle at the World’s Fair, is having second thoughts about her nuptials after a night at the Plaza Hotel with Francis. Among the many splashes of New York atmosphere, the strongest are snapshots of the city’s prewar musical frenzy. Weaving through it all is an old IRA enforcer with a tragic tie to the Dempseys who found escape on an upstate New York farm until the mob boss forces him to find the war chest and Francis. Mathews’ debut shows impressive control of this narrative cornucopia, although his reliance on characters’ thoughts to propel the plot can be tiresome.

It’s not Doctorow’s Ragtime, but there’s a similar feel in this impressive, wide-ranging debut.

Pub Date: Sept. 5, 2017

ISBN: 978-0-316-38219-9

Page Count: 560

Publisher: Little, Brown

Review Posted Online: June 6, 2017

Kirkus Reviews Issue: June 15, 2017

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Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

THEN SHE WAS GONE

Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 6, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as...

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THE TATTOOIST OF AUSCHWITZ

An unlikely love story set amid the horrors of a Nazi death camp.

Based on real people and events, this debut novel follows Lale Sokolov, a young Slovakian Jew sent to Auschwitz in 1942. There, he assumes the heinous task of tattooing incoming Jewish prisoners with the dehumanizing numbers their SS captors use to identify them. When the Tätowierer, as he is called, meets fellow prisoner Gita Furman, 17, he is immediately smitten. Eventually, the attraction becomes mutual. Lale proves himself an operator, at once cagey and courageous: As the Tätowierer, he is granted special privileges and manages to smuggle food to starving prisoners. Through female prisoners who catalog the belongings confiscated from fellow inmates, Lale gains access to jewels, which he trades to a pair of local villagers for chocolate, medicine, and other items. Meanwhile, despite overwhelming odds, Lale and Gita are able to meet privately from time to time and become lovers. In 1944, just ahead of the arrival of Russian troops, Lale and Gita separately leave the concentration camp and experience harrowingly close calls. Suffice it to say they both survive. To her credit, the author doesn’t flinch from describing the depravity of the SS in Auschwitz and the unimaginable suffering of their victims—no gauzy evasions here, as in Boy in the Striped Pajamas. She also manages to raise, if not really explore, some trickier issues—the guilt of those Jews, like the tattooist, who survived by doing the Nazis’ bidding, in a sense betraying their fellow Jews; and the complicity of those non-Jews, like the Slovaks in Lale’s hometown, who failed to come to the aid of their beleaguered countrymen.

The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as nonfiction. Still, this is a powerful, gut-wrenching tale that is hard to shake off.

Pub Date: Sept. 4, 2018

ISBN: 978-0-06-279715-5

Page Count: 272

Publisher: Harper/HarperCollins

Review Posted Online: July 17, 2018

Kirkus Reviews Issue: Aug. 1, 2018

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