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THREE DAYS IN MOSCOW

RONALD REAGAN AND THE FALL OF THE SOVIET EMPIRE

Popular history in a triumphant mode, of interest largely to Reagan partisans.

Fox News anchor Baier (Three Days in January: Dwight Eisenhower’s Final Mission, 2017, etc.) makes a cheerful case for Ronald Reagan’s single-handedly talking the Soviets out of being communists.

Reagan liked to be thought of as a political outsider, but “he wasn’t really.” He had governing experience as the two-term chief executive of California and a network of supporters within the federal government, and he “had evolved as a public persona who could articulate the issues of the day.” After a difficult period of folded-arm posturing back and forth between his White House and the Kremlin, with a few results hard-won at the arms-reduction talks in Reykjavik, Reagan and his Soviet counterpart, Mikhail Gorbachev, developed something of a working relationship by which long-closed doors opened up. One of them came in the form of an invitation to Reagan to speak to an audience at Moscow State University; in the speech he delivered on May 31, 1988, he spoke hopefully, as was his wont, of new possibilities: “Americans seek always to make friends of old antagonists.” Baier’s three-days narrative trope doesn’t stand up to close examination, and his suggestion that the Iron Curtain began to rust away the minute Reagan stepped off the podium is a little too pat; he sometimes seems to forget that, after all, Gorbachev was doing his part to end the Cold War, too. To his credit, the author does note the considerable amount of shuttle diplomacy that extended from Reagan’s second term into the incoming administration of George H.W. Bush, a skilled player on the international stage. Still, a more evenhanded and altogether better account can be found in Richard Reeves’ President Reagan: The Triumph of Imagination (2005) and H.W. Brands’ Reagan: The Life (2015).

Popular history in a triumphant mode, of interest largely to Reagan partisans.

Pub Date: May 15, 2018

ISBN: 978-0-06-274836-2

Page Count: 368

Publisher: Morrow/HarperCollins

Review Posted Online: March 5, 2018

Kirkus Reviews Issue: March 15, 2018

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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