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Riverside

A steamy tale and beguiling thriller, with plenty of local color and some provocative twists.

A young landscaper gets caught up in the drug trade in this debut novel.

Bobby Patrick is a 24-year-old in Austin, Texas, whose days are spent getting high, swimming in the lake, and dreaming about how to get ahead. A dyslexic, he failed to get through college, as words on a page “ran every which direction, as if something big was chasing them.” He has a new girlfriend, Katherine “Katie” Ann Smith, a waitress at a local diner, and the two are getting serious and talking marriage. Within their relatively small social universe, which is largely made up of marijuana dealers and thieves who have wealthy parents, Bobby and Katie navigate through various personal dramas. Katie’s not-so-nice best friend, Sara, slept with Bobby once. Katie doesn’t know about it, and Sara is holding it over Bobby’s head. Katie harbors a skeleton or two in her closet as well. While Bobby struggles to save money as a landscaper, he and Katie plan to open a restaurant. Katie has an affluent lawyer father, but there is a complication. Sara gets arrested and wants Bobby to bail her out and pay for an attorney. Just as Bobby realizes Sara may have gotten mixed up with the wrong people in the drug trade, he faces an uncertain future as he is drawn further into a mess that may have more to do with Katie than he could ever have imagined. Burlison sets his story in the heady days of the early 1990s in Austin, though his characters are perhaps more aloof than one would expect of the Generation X social scene. But they are certainly Texans. Bobby, an East Texan, is a scrappy self-starter and problem solver, while Katie and Sara are forthright and controlling, but still looking to daddy to bail them out. Burlison manages to make Bobby a sympathetic protagonist, even though the characters here are involved with drugs by their own choice. The winding and increasingly sinister plot holds some exciting scenes. But the author relies too much on small talk and continual dialogue, and he takes his time shaping the storyline.

A steamy tale and beguiling thriller, with plenty of local color and some provocative twists.

Pub Date: Jan. 4, 2016

ISBN: 978-0-9969696-0-4

Page Count: 348

Publisher: Barton Creek Press

Review Posted Online: Feb. 10, 2016

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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