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GOING SOMEWHERE

A BICYCLE JOURNEY ACROSS AMERICA

Ultimately, Benson moans his way through the entire experience, as though he couldn’t have foreseen the punishment he would...

The story of a naïve 20-something’s monthlong 2,000-mile bike trek, a journey designed to provide some direction to his life.

First-time memoirist and Portland, Oregon-based bike enthusiast Benson tells the all-too-familiar life story of the archetypal disaffected young white male just out of college putting himself through some masochistic Pilgrim’s Progress ordeal in order to make sense of his life. In the beginning, we find Benson in the Guatemalan jungle, where he soon grew tired of the backpacker’s life and decided he needed more than just rudderless experiences abroad to have a chance at spiritual fulfillment. Consequently, he and his girlfriend, Rachel, traveled back to the United States to embark on a grueling bike journey from their native Wisconsin all the way to western Oregon. To make the trip even more difficult, they imposed a strict one-month deadline for the adventure. However, the best American road narratives are borne out of leisurely pacing, often allowing for more randomness and serendipity to take place along the road. Benson and Rachel were so busy blazing toward their destination that they missed countless opportunities to connect with their surroundings or, more importantly, with each other. What we get instead is a lot of bellyaching about gnarly headwinds, sore legs, flat tires and sweaty armpits—and not much real drama otherwise. Furthermore, the author misses nearly every chance to find humor in their situation, instead dropping the F-bomb in every other sentence like some rogue Vice magazine correspondent (“Fuck the stupid Rockies. I didn’t need them”).

Ultimately, Benson moans his way through the entire experience, as though he couldn’t have foreseen the punishment he would absorb on this colossal but spiritually empty cycling journey.

Pub Date: June 24, 2014

ISBN: 978-0-14-218064-8

Page Count: 288

Publisher: Plume

Review Posted Online: May 16, 2014

Kirkus Reviews Issue: June 1, 2014

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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