Breezy, space-based fun with well-executed character development.
In Corley’s SF novel, an alien prince is finally ready to assume his throne after abandoning his responsibility years before.
Prince Parrtec was once the heir to the intergalactic kingdom known as the Twelve but decided to fake his death and walk away from everything he knew in exchange for a wandering life of fun and freedom. Now he goes by the name Parr, living on his beloved ship, the Aurora, which is reputed to be one of the fastest ships in existence. He mingles with all sorts of people, including pirates and other criminals in “the outer reaches.” But now he feels that it’s time to go back and take his rightful place after his parents’ deaths—if he can get through the well-defended gates of his home system of Bilena Epso Ach. A business opportunity goes awry that could have helped him do so, and he finds himself banned for life from entering the gates. Parr needs a new plan, but he has no more funds, and with the galaxy’s most feared bounty hunter hot on his trail for reasons unknown, Parr will need all the help he can get—even if it means siding with Manc, an old pirate with shady motives, and Ren, a secretive and alluring figure. Will Parr ever make it back home—and if he does, will the new queen, his sister, welcome him back? Politics and romance intertwine in this fun space adventure that follows Parr around the galaxy as he ostensibly tries to make his way back to his throne. However, readers will find that Parr’s journey turns out to be one of personal transformation and self-discovery. Over the course of the novel, he loses his initial obliviousness and gains a deeper understanding of what it truly means to be the heir of a privileged family—who may, in fact, be tyrants. Corley, the author of Ghost Bully (2018), also effectively develops the story to show how Parr learns to trust people other than himself during his travels. Sadly, the protagonist’s tale ends too soon, but it offers an open ending that promises more adventures.
Breezy, space-based fun with well-executed character development.Pub Date: Oct. 13, 2020
ISBN: N/A
Page Count: 304
Publisher: Electric Fern
Review Posted Online: Aug. 13, 2020
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
Fun while it lasts but not one of Scalzi’s stronger books.
Some people are born supervillains, and others have supervillainy thrust upon them.
Charlie Fitzer, a former business journalist–turned–substitute teacher, is broke and somewhat desperate. His circumstances take an unexpected and dangerous turn when his estranged uncle Jake dies, leaving his business—i.e., his trillion-dollar supervillain empire—to Charlie. Charlie doesn’t really have the skills or experience to manage the staff of the volcano lair, and matters don’t improve when he’s pressured to attend a high-level meeting with other supervillains, none of whom got along with his uncle. With the aid of his uncle’s No. 1, Mathilda Morrison, and his cat, Hera (who turns out to be an intelligent and typing-capable spy for his uncle’s organization), Charlie must sort out whom he can trust before he gets blackmailed, blown up, or both. This book serves as a follow-up of sorts to Scalzi’s The Kaiju Preservation Society (2022) in that both are riffs on genre film tropes. The current work is fluffier and sillier than the previous novel and, indeed, many of Scalzi’s other books, although there is the occasional jab about governments being in bed with unscrupulous corporate enterprises or the ways in which people can profit from human suffering. This is one of many available stories about a good-hearted Everyman thrust into fantastical circumstances, struggling to survive as a fish out of water, and, while well executed for its type, the plot doesn’t go anywhere that will surprise you.
Fun while it lasts but not one of Scalzi’s stronger books.Pub Date: Sept. 19, 2023
ISBN: 9780765389220
Page Count: 272
Publisher: Tor
Review Posted Online: June 8, 2023
Kirkus Reviews Issue: July 1, 2023
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Mandel’s solid writing and magnetic narrative make for a strong combination in what should be a breakout novel.
Survivors and victims of a pandemic populate this quietly ambitious take on a post-apocalyptic world where some strive to preserve art, culture and kindness.
In her fourth novel, Mandel (The Lola Quartet, 2012, etc.) moves away from the literary thriller form of her previous books but keeps much of the intrigue. The story concerns the before and after of a catastrophic virus called the Georgia Flu that wipes out most of the world’s population. On one side of the timeline are the survivors, mainly a traveling troupe of musicians and actors and a stationary group stuck for years in an airport. On the other is a professional actor, who dies in the opening pages while performing King Lear, his ex-wives and his oldest friend, glimpsed in flashbacks. There’s also the man—a paparazzo-turned-paramedic—who runs to the stage from the audience to try to revive him, a Samaritan role he will play again in later years. Mandel is effectively spare in her depiction of both the tough hand-to-mouth existence of a devastated world and the almost unchallenged life of the celebrity—think of Cormac McCarthy seesawing with Joan Didion. The intrigue arises when the troupe is threatened by a cult and breaks into disparate offshoots struggling toward a common haven. Woven through these little odysseys, and cunningly linking the cushy past and the perilous present, is a figure called the Prophet. Indeed, Mandel spins a satisfying web of coincidence and kismet while providing numerous strong moments, as when one of the last planes lands at the airport and seals its doors in self-imposed quarantine, standing for days on the tarmac as those outside try not to ponder the nightmare within. Another strand of that web is a well-traveled copy of a sci-fi graphic novel drawn by the actor’s first wife, depicting a space station seeking a new home after aliens take over Earth—a different sort of artist also pondering man’s fate and future.
Mandel’s solid writing and magnetic narrative make for a strong combination in what should be a breakout novel.Pub Date: Sept. 9, 2014
ISBN: 978-0-385-35330-4
Page Count: 320
Publisher: Knopf
Review Posted Online: June 16, 2014
Kirkus Reviews Issue: July 1, 2014
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
Station Eleven Miniseries to Star Mackenzie Davis
BOOK TO SCREEN
SEEN & HEARD
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
