Realization of what appeared, briefly and fictionally, as a "hypothetical" novel in one of Evenson's (Last Days, 2009, etc.) previous works.
In this combination of two classic science fiction tropes—the post-apocalyptic future and the protagonist who has no memory—a man who may or may not be named Josef Horkai wakes from what he is told has been 30 years of cold-sleep storage. Following the Kollaps, the landscape is pocked with craters, scarred by violence and poisoned by radiation; only a few scattered groups cling to survival in shelters and caves. Rasmus, the leader of the group, tells Horkai that he is the group's "fixer," needed to retrieve a mysterious cylinder that has been stolen by a rival group. Horkai's legs are useless and, according to Rasmus, he needs regular injections in his spine to stop a lethal disease spreading upwards to his brain. To get Horkai where he needs to go, two "mules," placid, literal minded individuals of limited intelligence, will carry him. Qanik and Qatik, the mules, don radiation-resistant suits, but Horkai needs none; more, he can heal from any injury and seems to be immortal. According to Qatik and Qanik—they refer to their group as the "hive," and neither expects to survive the trek—there are other, similar, survivors. It’s a formidable what's-going-on scenario, told from the point of view of a character who has every reason to be unreliable, that merited further development rather than just a slam-dunk ending. Satisfying if not particularly surprising or original.
Pub Date: April 10, 2012
ISBN: 978-0-7653-3096-3
Page Count: 256
Publisher: Tor
Review Posted Online: Feb. 18, 2012
Kirkus Reviews Issue: March 1, 2012
BOOK REVIEW
BOOK REVIEW
This brilliant bit of nihilism succeeds where so many self-described transgressive novels do not: It's dangerous because...
Brutal and relentless debut fiction takes anarcho-S&M chic to a whole new level—in a creepy, dystopic, confrontational novel that's also cynically smart and sharply written.
Palahniuk's insomniac narrator, a drone who works as a product recall coordinator, spends his free time crashing support groups for the dying. But his after-hours life changes for the weirder when he hooks up with Tyler Durden, a waiter and projectionist with plans to screw up the world—he's a "guerilla terrorist of the service industry." "Project Mayhem" seems taken from a page in The Anarchist Cookbook and starts small: Durden splices subliminal scenes of porno into family films and he spits into customers' soup. Things take off, though, when he begins the fight club—a gruesome late-night sport in which men beat each other up as partial initiation into Durden's bigger scheme: a supersecret strike group to carry out his wilder ideas. Durden finances his scheme with a soap-making business that secretly steals its main ingredient—the fat sucked from liposuction. Durden's cultlike groups spread like wildfire, his followers recognizable by their open wounds and scars. Seeking oblivion and self-destruction, the leader preaches anarchist fundamentalism: "Losing all hope was freedom," and "Everything is falling apart"—all of which is just his desperate attempt to get God's attention. As the narrator begins to reject Durden's revolution, he starts to realize that the legendary lunatic is just himself, or the part of himself that takes over when he falls asleep. Though he lands in heaven, which closely resembles a psycho ward, the narrator/Durden lives on in his flourishing clubs.
This brilliant bit of nihilism succeeds where so many self-described transgressive novels do not: It's dangerous because it's so compelling.Pub Date: Aug. 1, 1996
ISBN: 0-393-03976-5
Page Count: 192
Publisher: Norton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 1996
BOOK TO SCREEN
Part budding romance, part compelling backstory, part prescient tale of racism: provocative on all fronts without being...
In the wake of family tragedy, does an oldest sister’s disappearance point to something even more nefarious?
As a child in Bartonville, Oregon, Emily Mills saw something terrible that she hasn’t been able to forget for 20 years. Even worse than seeing the body of her father, who was white, hanging from a tree in the backyard was seeing her older sister, Tara, at the scene of the crime. Tara leaves town and isn’t heard from again, so Emily can’t ask what she was doing there the fateful night their father was murdered. When their mother takes her own life shortly afterward, Emily and her youngest sister, Madison, never recover from the multiple traumas. Although they do their best to go on running Barton Diner, the family restaurant, Emily fears that her questions may never be answered. Though Chet Carlson was caught and eventually confessed to the crime, he’s still in prison when history seems to repeat itself through a double murder of interracial couple Sean and Lindsay Fitch, with Emily once again cast as the person who finds the bodies. Sean has a KKK sign carved into his head, which reminds Emily of whisperings about her father's racist connections. How else might the crimes be related? Rightfully not trusting the police to do a thorough investigation, Emily calls the FBI, which dispatches agents Zander Wells and Ava McLane to investigate. Elliot (Bred in the Bone, 2019) seems less interested in setting Emily up as part of the crime than in pairing her romantically with Zander. That’s just as well, because the who and why of the crimes feels almost incidental rather than displaying a deeper connection to any larger theme.
Part budding romance, part compelling backstory, part prescient tale of racism: provocative on all fronts without being quite satisfying on any.Pub Date: Jan. 14, 2020
ISBN: 978-1-5420-0672-9
Page Count: 336
Publisher: Montlake Romance
Review Posted Online: Oct. 27, 2019
Kirkus Reviews Issue: Nov. 15, 2019
BOOK REVIEW
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