A powerhouse first volume in a supernatural-thriller series.
In this first volume in an epic urban fantasy series, an American federal agent has to deal with hell itself.
The protagonist of Walsh’s ambitious debut novel is a depressed, down-on-his-luck Diplomatic Security Service agent named Jubal Stone who’s been “effectively benched” by his boss, who thinks little of him. Stone was once a special investigator for the Office of Asset Recovery (“a deliberately obscure name for what sometimes turns out to be very nasty work”), but now he’s bitterly resigned to life in Norvell Township, Michigan, where he seems very much out of the loop. As a result, he’s cultivated a kind of big-picture cynicism: “Earth itself was no more than a rock with a bubble of air surrounding it,” he thinks at one point, “a tenuous condition that supposedly existed at the whim of some unknowable and unreachable God.” God suddenly seems much more reachable when a supernatural meteor crashes to Earth bearing a fallen Angel—a mystical being who quickly becomes the object of Stone’s new job for the agency. He’s partnered again with his former mentor, Thaddeus Coleman, and tasked with safely delivering the Angel to none other than Satan himself. The pairing of Jubal and Thaddeus is one of the strongest aspects of the book, as neither is a typical hero: They were chosen for the job, one character says, because the agency had nobody else available (“They’re both capable, but neither has been on top of their game for a while now”). What follows is an extremely winning variation on the formulaic model of Dan Brown’s 2003 bestseller The Da Vinci Code that offers a compelling combination of interagency thriller and supernatural fantasy. As various agents either help Stone or hunt him, Walsh handles the action scenes in a smooth and professional manner, and the dialogue is similarly efficient. The author also pays his readers the bedrock compliment of taking his absurd premise—a secret partnership between the U.S. federal government and hell—completely seriously, which works wonders.
A powerhouse first volume in a supernatural-thriller series.Pub Date: July 4, 2019
ISBN: 978-1-07-818665-0
Page Count: 563
Publisher: Self
Review Posted Online: Nov. 29, 2019
Kirkus Reviews Issue: Feb. 1, 2020
Review Program: Kirkus Indie
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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