Boeck displays his wide range of knowledge of the Soviet Union and delivers an insightful, gripping, squirm-inducing...
Biography of Mikhail Sholokhov (1905-1984), winner of the 1965 Nobel Prize in literature and a favorite of Joseph Stalin.
In his second book, Boeck (Russian and Soviet History/DePaul Univ.; Imperial Boundaries: Cossack Communities and Empire-Building in the Age of Peter the Great, 2009) works hard—and mostly successfully—“to reconcile the bold, uncompromising, and sympathetic Sholokhov…with the vindictive, mean-spirited man described in many accounts of late Soviet history.” Sholokhov was an obscure 21-year-old short story writer when he wrote his classic novel, And Quiet Flows the Don. Appearing serially in literary magazines from 1926 to 1940, the narrative tells the story of a Cossack family whose hero fights in World War I and the Russian Revolution. The first two volumes were bestsellers, but in 1930, his editor regarded further installments as insufficiently pro-revolutionary. Sholokhov refused to make changes but agreed to visit Maxim Gorky, the nation’s literary idol, to discuss the matter. To his amazement, the meeting included Stalin. Grilled on the controversy, Sholokhov satisfied Stalin, who considered himself a patron of the arts. He not only approved publication, but gave the author his personal secretary’s phone number. Almost immediately, Sholokhov witnessed Stalin’s murderous collectivization campaign and famine followed by the Terror, which devoured many colleagues. He appealed to Stalin, who freed several friends and sent food to his home district. Like naïve patriots throughout history, Sholokhov considered his ruler blameless but betrayed by evil underlings, and he remained a protégé, producing fawning speeches and writing that he struggled to repress after Stalin’s death. By the 1960s, he enjoyed international celebrity but wrote little of consequence, and his privileged status and literary conservatism did not endear him to the younger generation.
Boeck displays his wide range of knowledge of the Soviet Union and delivers an insightful, gripping, squirm-inducing portrait of a great author who loyally served his government—perhaps too loyally.Pub Date: Feb. 5, 2019
ISBN: 978-1-68177-874-7
Page Count: 336
Publisher: Pegasus
Review Posted Online: Nov. 10, 2018
Kirkus Reviews Issue: Dec. 1, 2018
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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