by Brian Kaufman ‧ RELEASE DATE: May 21, 2020
An engaging tale about two music lovers trying to set the historical record straight.
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A precocious Pennsylvania blues fan attempts to resurrect the career of one of his idols in this novel.
Pittsburgh, 1969. Eighteen-year-old Kennedy Barnes loves the blues. The prize item in his record collection is a tape procured from the Library of Congress recorded back in 1934 by an obscure bluesman named Willie Johnson. In fact, Kennedy believes that the song on the tape is proof Willie actually invented rock ’n’ roll: “The guitarist punctured the chug-chug rhythm with bursts of high-speed blues runs, like Clapton on amphetamines. He listened to the two-minute song again and again while the sun played a light requiem on his bedroom wall.” After a fight with his father leaves Kennedy’s record collection shattered, he leaves home with a duffel bag, the Willie tape reel, and $300. His destination is Fort Collins, Colorado, where the elderly Willie now works in a motel laundry. Kennedy tracks him down only to discover that Willie is white—not exactly the image of the bluesman that the teenager had in his head. Bound by the shared love of the blues and a desire to improve their standing, Willie agrees to let Kennedy represent him as his manager. Their plan is to land a record contract at the famous Newport Folk Festival. But does either the teen huckster or the washed-up guitarist have what it takes to make it there? Kaufman’s prose is textured and full of personality: “There were no streetlights, and Kennedy was a little nervous about the traffic. Dark as it was, and fast as cars were going, no one would be able to spot them before knocking them fifty yards into a ditch.” Kennedy and Willie make for an appealing odd couple, with personalities as divergent as their ages. The book displays a deep affection and knowledge of early rock ’n’ roll (though the author’s decision to make the genre’s inventor a white man is a bit strange and perhaps heretical). Music fans will enjoy this short novel despite its revisionism.
An engaging tale about two music lovers trying to set the historical record straight.Pub Date: May 21, 2020
ISBN: 978-1-944715-59-5
Page Count: 154
Publisher: Black Rose Writing
Review Posted Online: Feb. 24, 2020
Review Program: Kirkus Indie
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by Virginia Evans ‧ RELEASE DATE: May 6, 2025
An affecting portrait of a prickly woman.
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New York Times Bestseller
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
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SEEN & HEARD
by Thomas Schlesser ; translated by Hildegarde Serle ‧ RELEASE DATE: Aug. 26, 2025
A pleasant if not entirely convincing tribute to the power of art.
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New York Times Bestseller
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
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SEEN & HEARD
SEEN & HEARD
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