An entertaining, sweetly atmospheric baseball story.

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THE FAT LADY'S LOW, SAD SONG

An over-the-hill first baseman and a female pitcher lead a misfit team to minor league glory in this hangdog sports romance. 

After 10 years in the minors, first baseman Parker Westfall has nothing to show for it except two suitcases containing all his worldly belongings, a fat gut, and impressive home run stats that somehow never impressed a major league team. He reaches the lowest rung of pro ball when he signs with the indie league cellar-dwelling Fort Collins Miners in Colorado. There, he joins a crew of leftovers, including a gigantic outfielder with a hair-trigger temper, an aching catcher, and a second baseman with a yen for Shakespeare. Presiding over them is Grady O’Connor, an irascible manager with an inane “Grady Ball” system that consists mainly of chewing players out, even when they hit homers. Rounding out the roster is newbie Courtney Morgan, a 20-year-old female knuckleballer who bowls Parker over with her looks. Parker gets off to a fine start, batting .400 and blasting balls out of the stadium, but Courtney, despite her world-class knuckler, gets shelled off the mound in her outings. When Parker tries to give her advice, he runs up against her prickly defensiveness and Grady’s idiotic managerial decrees. Debut author Kaufman’s knockabout yarn paints a grubby but beguiling portrait of minor league purgatory with its cruddy locker rooms, lewd dugout banter, and belligerent fans, all lit in the twilight glow of misbegotten major league dreams. His prose captures both the thrill of the game—“the ball strikes the top of his glove’s webbing, and when Montgomery falls back to earth like Icarus, having touched the sun, the ball stays in his glove”—and the crass commercialism behind the heroics. (“If I keep the same guys on, year after year, we become a lower-tier product, indistinguishable from roller derby,” the team owner says, explaining that the need to draw fans with the illusion that they are watching future major leaguers means Parker’s contract won’t be renewed despite his great season.) Parker and his teammates can’t win, but readers will still root for them. 

An entertaining, sweetly atmospheric baseball story.

Pub Date: June 28, 2018

ISBN: 978-1-68433-072-0

Page Count: 190

Publisher: Black Rose Writing

Review Posted Online: June 13, 2018

Kirkus Reviews Issue: July 15, 2018

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ONE DAY IN THE LIFE OF IVAN DENISOVICH

While a few weeks ago it seemed as if Praeger would have a two month lead over Dutton in their presentation of this Soviet best seller, both the "authorized" edition (Dutton's) and the "unauthorized" (Praeger's) will appear almost simultaneously. There has been considerable advance attention on what appears to be as much of a publishing cause celebre here as the original appearance of the book in Russia. Without entering into the scrimmage, or dismissing it as a plague on both your houses, we will limit ourselves to a few facts. Royalties from the "unauthorized" edition will go to the International Rescue Committee; Dutton with their contracted edition is adhering to copyright conventions. The Praeger edition has two translators and one of them is the translator of Doctor Zhivago Dutton's translator, Ralph Parker, has been stigmatized by Praeger as "an apologist for the Soviet regime". To the untutored eye, the Dutton translation seems a little more literary, the Praeger perhaps closer to the rather primitive style of the original. The book itself is an account of one day in the three thousand six hundred and fifty three days of the sentence to be served by a carpenter, Ivan Denisovich Shukhov. (Solzhenitsyn was a political prisoner.) From the unrelenting cold without, to the conditions within, from the bathhouse to the latrine to the cells where survival for more than two weeks is impossible, this records the hopeless facts of existence as faced by thousands who went on "living like this, with your eyes on the ground". The Dutton edition has an excellent introduction providing an orientation on the political background to its appearance in Russia by Marvin Kalb. All involved in its publication (translators, introducers, etc.) claim for it great "artistic" values which we cannot share, although there is no question of its importance as a political and human document and as significant and tangible evidence of the de-Stalinization program.

Pub Date: June 15, 1963

ISBN: 0451228146

Page Count: 181

Publisher: Praeger

Review Posted Online: Oct. 5, 2011

Kirkus Reviews Issue: June 15, 1963

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The phrase “tour de force” could have been invented for this audacious novel.

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A LITTLE LIFE

Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 22, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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