Kellow displays a keen sense of how and why Merman worked, and his profile of her personal life is an aching refrain worthy...
A clear-eyed, perceptive take on the reign of Queen Ethel of Broadway.
An editor at Opera News and an entertainment reporter and biographer, Kellow nimbly sidesteps the booby traps other writers have hit while writing about Ethel Merman. Though he gives her temperament its due, he admirably avoids overloading his account with tales of a sometime-outrageous diva. He places Merman’s ascendancy and success in the context of 20th-century New York City. Gershwin, Porter, Berlin and others provided the scores, and their confluence created such classics as Girl Crazy, Anything Goes, Annie Get Your Gun and Gypsy. Content at center stage on Broadway, Merman was less happy out of town. Hollywood, in particular, was not her place, as evidenced by the middling films she lensed at Warner Bros. and Paramount. She did score, at least with city audiences, with the film version of Call Me Madam, but losing the main role in the film adaptation of her Broadway triumph Gypsy to Rosalind Russell was a major career disappointment. For Merman, happiness clearly began when the curtain went up. A headstrong, outspoken only child, Merman, notes Kellow, saw only in black and white, a worldview that gave her considerable force onstage but sabotaged four marriages. Her melancholy demise found her down in the depths of the Upper East Side, alone with the ashes of her parents, one ex-husband and Ethel Jr., a daughter whose death may have been an “accidental suicide.”
Kellow displays a keen sense of how and why Merman worked, and his profile of her personal life is an aching refrain worthy of the musical Follies.Pub Date: Nov. 5, 2007
ISBN: 978-0-670-01829-1
Page Count: 336
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 2007
BOOK REVIEW
BOOK REVIEW
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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