A Fourth of July weekend on Cape Cod takes a dark turn in a solid debut with a well-conceived plot.
In McMahon’s first novel, shocking events test the loyalties and moral convictions of neighbors at a popular vacation spot.
The Murray and Clarke families own adjacent beachfront properties on Seaview Road on Cape Cod and have summered there for decades. The two Murray children, 19-year-old Katie and 22-year-old Ryan, grew up playing on the beach with the three Clarke children, Amelia, J.J., and Eric. Eric, however, has become estranged from the rest of his successful, Instagram-perfect clan. Katie and Ryan work long hours at the exclusive Monomo Dunes Country Club, where the staff is an amalgam of affluent residents of Monomo, like themselves, and people from neighboring Worona, a blue-collar town that “sniffed the water but didn’t cradle it like its neighbor did.” The club employees socialize after hours, though the Monomo parents frown on too much interaction with townies from Worona, where drugs, particularly opiates, are a problem. After a family-friendly day of Fourth of July parades and games, hordes of young adults descend on nearby Greenstone Lake for some serious partying. The Murray parents are skeptical of the evening activities but trust their kids’ good judgment. After Katie witnesses a crime, she has to make agonizing and dangerous choices. From the onset, a malevolent aura hovers over the action in the form of intermittent musings by an anonymous narrator who has committed heinous acts and attempts to justify them. These interludes are often more effective in driving the plot and generating tension than the frequent anecdotes about incidental characters and attempts at social commentary. Some unnecessary thesaurus-happy diversions detract from the compelling action: A character’s fists are “aware of their thew,” and golfers play on a “tenebrous beach.” But the author often hits the right notes, such as when he describes a local kid’s accent as what “Alec Baldwin was shooting for in The Departed” or suggests the complex social dynamics of a friendly golf game. This suspenseful novel ultimately exposes the blighted underside of a divided locale.
A Fourth of July weekend on Cape Cod takes a dark turn in a solid debut with a well-conceived plot.Pub Date: May 12, 2020
ISBN: 978-0-578-62576-8
Page Count: 258
Publisher: Some Other Time Books
Review Posted Online: April 28, 2020
Review Program: Kirkus Indie
BOOK REVIEW
Have tissues ready as you read this. A small package will do.
A love story about a life of second chances.
In Nassau, in the Bahamas, casino detective Vincent LaPorta grills Alfie Logan, who’d come up a winner three times in a row at the roulette table and walked away with $2 million. “How did you do it?” asks the detective. Alfie calmly denies cheating. You wired all the money to a Gianna Rule, LaPorta says. Why? To explain, Alfie produces a composition book with the words “For the Boss, to Be Read Upon My Death” written on the cover. Read this for answers, Alfie suggests, calling it a love story. His mother had passed along to him a strange trait: He can say “Twice!” and go back to a specific time and place to have a do-over. But it only works once for any particular moment, and then he must live with the new consequences. He can only do this for himself and can’t prevent anyone from dying. Alfie regularly uses his power—failing to impress a girl the first time, he finds out more about her, goes back in time, and presto! She likes him. The premise is of course not credible—LaPorta doesn’t buy it either—but it’s intriguing. Most people would probably love to go back and unsay something. The story’s focus is on Alfie’s love for Gianna and whether it’s requited, unrequited, or both. In any case, he’s obsessed with her. He’s a good man, though, an intelligent person with ordinary human failings and a solid moral compass. Albom writes in a warm, easy style that transports the reader to a world of second chances and what-ifs, where spirituality lies close to the surface but never intrudes on the story. Though a cynic will call it sappy, anyone who is sick to their core from the daily news will enjoy this escape from reality.
Have tissues ready as you read this. A small package will do.Pub Date: Oct. 7, 2025
ISBN: 9780062406682
Page Count: 320
Publisher: Harper/HarperCollins
Review Posted Online: July 18, 2025
Kirkus Reviews Issue: Aug. 15, 2025
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.
After being released from prison, a young woman tries to reconnect with her 5-year-old daughter despite having killed the girl’s father.
Kenna didn’t even know she was pregnant until after she was sent to prison for murdering her boyfriend, Scotty. When her baby girl, Diem, was born, she was forced to give custody to Scotty’s parents. Now that she’s been released, Kenna is intent on getting to know her daughter, but Scotty’s parents won’t give her a chance to tell them what really happened the night their son died. Instead, they file a restraining order preventing Kenna from so much as introducing herself to Diem. Handsome, self-assured Ledger, who was Scotty’s best friend, is another key adult in Diem’s life. He’s helping her grandparents raise her, and he too blames Kenna for Scotty’s death. Even so, there’s something about her that haunts him. Kenna feels the pull, too, and seems to be seeking Ledger out despite his judgmental behavior. As Ledger gets to know Kenna and acknowledges his attraction to her, he begins to wonder if maybe he and Scotty’s parents have judged her unfairly. Even so, Ledger is afraid that if he surrenders to his feelings, Scotty’s parents will kick him out of Diem’s life. As Kenna and Ledger continue to mourn for Scotty, they also grieve the future they cannot have with each other. Told alternatively from Kenna’s and Ledger’s perspectives, the story explores the myriad ways in which snap judgments based on partial information can derail people’s lives. Built on a foundation of death and grief, this story has an undercurrent of sadness. As usual, however, the author has created compelling characters who are magnetic and sympathetic enough to pull readers in. In addition to grief, the novel also deftly explores complex issues such as guilt, self-doubt, redemption, and forgiveness.
With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.Pub Date: Jan. 18, 2022
ISBN: 978-1-5420-2560-7
Page Count: 335
Publisher: Montlake Romance
Review Posted Online: Oct. 12, 2021
Kirkus Reviews Issue: Nov. 1, 2021
SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
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