BLOWBACK '63

Name: BLOWBACK '63
Author: Brian Meehl
ISBN: 978-1-59330-937-4

WHEN THE ONLY WAY FORWARD IS BACK

From the The Blowback Trilogy series

by Brian Meehl ‧ RELEASE DATE: Sept. 28, 2017

A quirky and engaging crossroads for fans of baseball, the Civil War, and time travel.

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In this YA sequel, twins embroil themselves in further time-travel high jinks while searching for their mother.

Astrophysicist Dr. Octavia Jongler has been lost in time for over a year. Her twins, North High School juniors Iris and Arky Jongler-Jinks, possess the device that sent her to another era—an enchanted cor anglais, or English horn. While Iris experiments with the instrument to learn more about their mother’s location, Arky focuses on his college application essay. He travels with his father, history professor Howard Jinks, to Fredericksburg, Virginia, for a Civil War re-enactment that may inspire his essay. Later, in a baseball game between North High and City High, Arky’s friend Danny Bender accidentally hits former classmate Rafael Santeiro in the head with a pitch. After a brawl between the teams ends the game, a gang of City High teens hunts for Danny at his dad’s junkyard. Iris, meanwhile, believes that finding her mother’s journal (The Book of Twins) and a disc of grenadilla wood proves that the cor anglais is about to work its magic again. As Arky rushes to save Danny from Rafael’s friends, Howard catches Iris handling the instrument. He asks her to play it—in memory of Octavia—and as she does, its mists cocoon Arky and Danny, sending them back to 1863. In his energetically plotted sequel, Meehl (Blowback ’07, 2016) once again merges his love of history and sports for a winsome adventure. Nevertheless, upon finding soldiers encamped in 1863, Arky compares them to the enthusiasts back home and sees “gaunt masks of darkened hide or unruly whiskers that veiled the face-carving effects of war.” But overall, Meehl weighs his narrative in favor of baseball, not war, exploring the game’s early days of Massachusetts rules, which involved overhand pitching and “plugging” runners with the ball. In the present, Iris and a boy named Matt Grinnell begin an adorably awkward courtship as only a music nerd and a jock can. Hints regarding Octavia persist, but locating her won’t matter if Arky damages the Jongler-Jinks lineage. A perfect cliffhanger blows readers toward the next installment.

A quirky and engaging crossroads for fans of baseball, the Civil War, and time travel.

Pub Date: Sept. 28, 2017

ISBN: 978-1-59330-937-4

Page Count: 419

Publisher: Twisco Press

Review Posted Online: Nov. 13, 2017

Kirkus Reviews Issue: Jan. 1, 2018

Review Program: Kirkus Indie

Categories:

GENERAL FICTION

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KITCHEN

by Banana Yoshimoto & translated by Michael Emmerich ‧ RELEASE DATE: Jan. 1, 1993

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Young writer Yoshimoto's first full-length fiction to appear in the US—an excerpt of which appeared in New Japanese Voices (1991; ed. by Helen Mitsios)—explores love and loss with a distinctly contemporary sensibility. The source of what has been described as ``Bananamania'' in her native Japan, Yoshimoto combines traditional sensitivity to nuance and setting with a youthful sense of belonging to a wider, less specifically Japanese world—characters jog, eat Kentucky Fried chicken, and listen to American music: a combination that, apparently, made this novel—in reality two separate stories united by a theme of loss and survival—an instant success among younger Japanese. In the story of the title, the narrator Mikage has lost her last remaining relative, a beloved grandmother with whom she lived. Grieving, she finds comfort only in the apartment kitchen- -``the hum of the refrigerator kept me from thinking of my loneliness.'' An invitation by Yuichi, a fellow student and friend of her grandmother's, to move in temporarily with him and his mother, Eriko, is gladly accepted. Mikage, who declares she loves kitchens best—they are to her symbol of life and survival—falls immediately in love with the new kitchen. Generous and glamorous Eriko, actually a transvestite—she was Yuichi's father—makes her feel at home, and Mikage, a survivor, is soon on her feet with her own apartment and a job, cooking for a TV show. But when Eriko is murdered, Mikage is there with an effective mix of common sense and love to help the grieving Yuichi recover. The second (much shorter) story, ``Moonlight Shadow,'' lyrically describes the journey that a young woman and man—who've both lost their beloveds in an accident—make from debilitating grief through an almost dreamlike landscape in which the dead appear to an acceptance that life, a ``flowing river,'' must go on. Timeless emotions, elegantly evoked with impressive originality and strength.