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BLOWBACK ’94

WHEN THE ONLY WAY FORWARD IS BACK

From the The Blowback Trilogy series , Vol. 3

A family-centered time-travel adventure with a lot of heart.

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This YA novel concludes a time-travel trilogy with a trip back to belle epoque Paris.

High school junior and music nerd Iris Jongler-Jinks has already accidentally used her family’s heirloom cor anglais (an English horn) to send people back to 1907 and 1863. The latter trip, taken by her twin brother, Arky, was supposed to help them find their mother, the missing astrophysicist Dr. Octavia Jongler. But Arky came back empty-handed. Now it’s finally Iris’ turn. When the so-called Horn of Angels begins to play on its own, the mists that flow from it carry her back to Paris in 1894, at the height of the belle epoque. The only problem is that Arky has somehow traveled back with her: “It wasn’t fair. He’d had his time voyage; why did he have to spoil hers?” Luckily, they quickly get wind of a Madame Jongler who performs as a spider woman at the famous Moulin Rouge. They are finally reunited with Octavia, but bringing her back to the present is not so simple. “While a Jongler can use the cor anglais to send a troubled soul to the past,” goes the legend, “the voyager must discover what’s needed from the past on their own.” Stuck in one of the past’s most colorful locales, the twins must find the lesson that they’re all supposed to learn before they can go home—if they even want to go home at all. Meehl’s prose mixes humor with sumptuous period details: “When the out-of-control bicyclist just missed an elderly man in the street, the old man shook his cane at the two-wheeled terrorist and yelled, ‘There should be a law against those damn machines!’ ” The novel features the requisite appearances by period figures like Degas and Toulouse-Lautrec, and fans of the series will enjoy watching Iris excitedly imbibe the culture and music of the City of Light. Though the pace sometimes feels a bit slow, the world is rich enough—and the characters entertaining enough—to carry this tale to a conclusion that should satisfy those who have been with the indefatigable Jongler-Jinkses all along.

A family-centered time-travel adventure with a lot of heart.

Pub Date: March 5, 2020

ISBN: 978-0-9857114-2-9

Page Count: 409

Publisher: Twisko Press

Review Posted Online: March 10, 2020

Kirkus Reviews Issue: May 1, 2020

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THE GIVER

From the Giver Quartet series , Vol. 1

Wrought with admirable skill—the emptiness and menace underlying this Utopia emerge step by inexorable step: a richly...

In a radical departure from her realistic fiction and comic chronicles of Anastasia, Lowry creates a chilling, tightly controlled future society where all controversy, pain, and choice have been expunged, each childhood year has its privileges and responsibilities, and family members are selected for compatibility.

As Jonas approaches the "Ceremony of Twelve," he wonders what his adult "Assignment" will be. Father, a "Nurturer," cares for "newchildren"; Mother works in the "Department of Justice"; but Jonas's admitted talents suggest no particular calling. In the event, he is named "Receiver," to replace an Elder with a unique function: holding the community's memories—painful, troubling, or prone to lead (like love) to disorder; the Elder ("The Giver") now begins to transfer these memories to Jonas. The process is deeply disturbing; for the first time, Jonas learns about ordinary things like color, the sun, snow, and mountains, as well as love, war, and death: the ceremony known as "release" is revealed to be murder. Horrified, Jonas plots escape to "Elsewhere," a step he believes will return the memories to all the people, but his timing is upset by a decision to release a newchild he has come to love. Ill-equipped, Jonas sets out with the baby on a desperate journey whose enigmatic conclusion resonates with allegory: Jonas may be a Christ figure, but the contrasts here with Christian symbols are also intriguing.

Wrought with admirable skill—the emptiness and menace underlying this Utopia emerge step by inexorable step: a richly provocative novel. (Fiction. 12-16)

Pub Date: April 1, 1993

ISBN: 978-0-395-64566-6

Page Count: 208

Publisher: Houghton Mifflin

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 1, 1993

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THE CRUEL PRINCE

From the Folk of the Air series , Vol. 1

Black is building a complex mythology; now is a great time to tune in.

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Black is back with another dark tale of Faerie, this one set in Faerie and launching a new trilogy.

Jude—broken, rebuilt, fueled by anger and a sense of powerlessness—has never recovered from watching her adoptive Faerie father murder her parents. Human Jude (whose brown hair curls and whose skin color is never described) both hates and loves Madoc, whose murderous nature is true to his Faerie self and who in his way loves her. Brought up among the Gentry, Jude has never felt at ease, but after a decade, Faerie has become her home despite the constant peril. Black’s latest looks at nature and nurture and spins a tale of court intrigue, bloodshed, and a truly messed-up relationship that might be the saving of Jude and the titular prince, who, like Jude, has been shaped by the cruelties of others. Fierce and observant Jude is utterly unaware of the currents that swirl around her. She fights, plots, even murders enemies, but she must also navigate her relationship with her complex family (human, Faerie, and mixed). This is a heady blend of Faerie lore, high fantasy, and high school drama, dripping with description that brings the dangerous but tempting world of Faerie to life.

Black is building a complex mythology; now is a great time to tune in. (Fantasy. 14-adult)

Pub Date: Jan. 2, 2018

ISBN: 978-0-316-31027-7

Page Count: 384

Publisher: Little, Brown

Review Posted Online: Sept. 25, 2017

Kirkus Reviews Issue: Oct. 15, 2017

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