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THE GIRL IN THE BLUE TIE-DYE SHIRT

A MUD STREET MISFITS ADVENTURE

A sweet adventure that celebrates the wisdom of young and old generations.

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This middle-grade novel tells the story of a musically talented young man who hits his head, gains a strange ability, and draws his friends into a mystery.

In the small town of Ozark, Liam MacLeod and his best friend, Connor Harrison, ride their bikes to Ashford Park. Liam crashes and ends up with five stitches in his temple. Later, in school, he suffers a headache during a test, which heightens his stress over a school orchestra dress rehearsal. He also must deal with bullies Dylan, Kaylee, and Brandon. Despite these distractions, Liam plays bass well during the rehearsal, and his teacher, Mr. Walsh, nominates him for the Musicians Honors Performance Program. After school, on Mud Street, Liam and his sister, Molly, head to Connor’s house to hear a new vinyl record that his uncle gave him—the Allman Brothers’ 1972 album “Eat a Peach.” While listening, Liam holds the used album’s sleeve—and somehow, he’s briefly transported to a different bedroom with “wood-paneled walls and dirty red carpet.” There, he sees a crying girl in a blue, tie-dyed shirt—just before finding himself back at Connor’s place. Liam begins researching extrasensory perception and hears a story from his dad, Lloyd, about a spectral visit that he received from his own grandmother just before she died. Curiosity becomes fright, however, when the sobbing girl again appears to Liam during orchestra practice. Connor suggests that the Mud Street gang should track down the record’s previous owner—Greg Ortman, who wrote his name on the sleeve—to solve the puzzle. For their nostalgic debut, authors O’Dell and Lauderdale craft a musical mystery that will appeal to children and adults. Though clearly set in modern times (Liam uses Google and Wikipedia), the kids experience an idyllic childhood with bike rides, engaged parents, and secret missions into a nearby city. In total, there are five Mud Streeters, including Liam’s classmate Sarah and her younger brother, David, yet the narrative doesn’t attempt to give everyone equal time, instead choosing to focus on Liam and Connor. This is a wise decision that makes for an exceptionally well-paced story. Side characters, such as Cora, a psychic expert and the owner of a shop called Cora’s Crystals, appear briefly but memorably; she intriguingly tells the kids, “I didn’t realize it was already Wednesday,” as if she was expecting their visit. The authors also grasp that their audience may have a nascent interest in both scientific and supernatural phenomena, and they offer great jumping-off points for further research, as in the line, “matter on a subatomic level exists essentially as vibration.” Parents will be tickled by mentions of the rock band Rush and 1970s radio hits, such as Blue Öyster Cult’s “Don’t Fear the Reaper.” However, they may be less enthusiastic about the kids’ dangerous overnight undertaking in the tale’s final third. Nevertheless, most readers will reach the end wanting to get to know the Mud Street Misfits better.

A sweet adventure that celebrates the wisdom of young and old generations.

Pub Date: Oct. 8, 2018

ISBN: N/A

Page Count: 110

Publisher: Mud Street Misfits LLC

Review Posted Online: Oct. 24, 2018

Kirkus Reviews Issue: Jan. 1, 2019

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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  • New York Times Bestseller

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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