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THE MYSTERIOUS PHONE CALL

From the Mud Street Misfits Adventure series , Vol. 2

A sweet, supernatural middle grade tale that’s grounded by memorable characters.

In O’Dell and Lauderdale’s (The Girl in the Blue Tie-Dye Shirt, 2018) middle grade sequel, the Mud Street Misfits take on their town’s mayor in order to save a treasured building.

Preteen Sarah Barrett was left on the steps of the Santa Monica Public Library as an infant. Now she lives in small-town Ozark, Missouri with her adoptive parents, Heather and Rachel, and her younger stepbrother, David. She and David are members of the Mud Street Misfits, along with their friends Connor Harrison and Liam and Molly MacLeod. Recently, Liam hit his head and developed psychic powers; the Misfits’ ensuing adventure brought them inside the abandoned Ozark Orpheum, which hosted live music for decades but now lies in decay. Sarah has learned that Rachel is joining a Chicago law firm, which is devastating news; the family has already moved frequently, and Ozark is the first place that truly felt like home to her. After discovering that Ozark’s Mayor Scott plans to demolish the Orpheum in just two weeks, Sarah looks into how to get the building certified as a historic site, due to its age, condition, and significance. The kids sneak back into the Orpheum to find something that will convince City Hall to reconsider. In the building’s attic, they find a steamer trunk full of costumes, and, strangely, a black rotary phone that provides Liam with psychic visions—and later does something else that’s unexpected. With the help of writer Steve Lewis, who once wrote about the Orpheum for The Ozark Trail magazine, and Cora, their psychic friend and crystal expert, can the Misfits save a building that’s full of powerful memories? O’Dell and Lauderdale again depict the passionate moral clarity of youth, which can be challenging to carry into adulthood. Sarah’s melancholy character and resulting motivations give her a compelling narrative arc: She wants to save the Orpheum because she can’t save her place within the Misfits. At one point, she feels “as if she had no physical substance and was suspended above the earth by a tenuous thread”; music helps her, however, as it can “take her to another world.” Her loving parents, Rachel and Heather, who are “committed to each other and to creating a family,” are portrayed with matter-of-fact positivity. The author again supplies his young target audience with tastes of both science and spirituality, as when Cora, in a discussion of ghosts, quotes Albert Einstein, notes that “Energy cannot be created or destroyed.” The Hindu concept of chakras—energy centers in the body—comes up in a scene in Cora’s crystal shop; the proprietor offers Sarah a piece of kyanite, which she says will help relieve stress in the girl’s throat chakra, allowing her to “speak [her] truth with clarity.” This installment focuses mainly on Sarah, as the previous one did on Liam and Connor, giving the series a buoyantly episodic feel, and Ozark, with its haunted corners and inquisitive Misfits, continues to be a wonderful place to visit.

A sweet, supernatural middle grade tale that’s grounded by memorable characters.

Pub Date: Sept. 28, 2019

ISBN: 978-1-73267-232-1

Page Count: 216

Publisher: Mud Street Misfits, LLC

Review Posted Online: Nov. 19, 2019

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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