Wonderfully crafted and illustrated: a delightful, effective primer for budding poets.



From the Poetry Adventures series

An engaging lantern poem and haiku how-to for young readers.

Veteran children’s series author Cleary (Feet and Puppies, Thieves and Guppies: What Are Irregular Plurals? with Brian Gable, 2014, etc.) and British illustrator Rowland team up to launch the new Poetry Adventures series with a picture book demonstrating the great fun to be had with wee poems. While poets typically choose the spare haiku or concrete lantern form to communicate profound reflections on nature, here Cleary turns poetic convention on its ear by conjuring silly, sometimes-hilarious situations. Whether describing a bodily function, as in “Yummy”—“When something’s so good / you want to taste it again, / that’s what burps are for”—or poking fun at the haiku form itself—“When you’ve written one / without enough syllables, / you add words. Football”—Cleary’s light touch immediately grabs attention. Even the more contemplative lantern poems, so called because the five-line syllabic form’s outline slightly resembles that of a Japanese lantern, are perfectly geared for the young: “Hug: / a gift / that is best / when you return / it.” To further entice readers to write, Cleary provides clear descriptions of the poetics of each form alongside Rowland’s vibrant, brightly hued illustrations that include a nicely ethnically diverse cast of human characters as well as zany aliens and plenty of visual wit.

Wonderfully crafted and illustrated: a delightful, effective primer for budding poets. (Picture book/poetry. 6-10)

Pub Date: May 1, 2014

ISBN: 978-1-4677-4412-6

Page Count: 32

Publisher: Millbrook/Lerner

Review Posted Online: March 17, 2014

Kirkus Reviews Issue: April 1, 2014

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A tour de force of interactive two-dimensional nature.


From the Brown Bear Wood series

Four seasons’ worth of poetic exploration into the bustling woods.

Piercey presents here 16 poems containing tightly rhymed quatrains inviting young readers to follow Bear out of the confines of their homes and into the forest from spring through winter. Arranged in double-page spreads, Hartas’ sumptuously action-packed forest scenes are rife with so much fauna and flora that Piercey provides legends pointing readers toward “what to spot” on each spread. Bear narrates: “My woodland’s full of animals, / of every different kind. / So shall we stay here for a while / and see what we can find?” (A bit distractingly, some words are set in a faux handwriting typeface.) Items to find include such delights as a “baby chipmunk in a hammock” or “two birds returning from their winter break”—delicately drawn with tiny suitcases in their claws. In each kid-styled Breughel-like tableau, creatures are busy doing something—building nests, getting ready for school, or celebrating Bunny’s birthday; even Bear’s off playing hide-and-seek with mice. In summer, some go for swimming lessons while others stage a play. Autumn’s chill starts to wind down the fun, as trees turn “orange, scarlet, gold, / each leaf a tongue of flame”—perfect for inspiring art class. In Hartas’ gifted hands, Piercey’s thriving woodland society celebrates all the joys of communing with the elements and one another. (This book was reviewed digitally with 12.2-by-20-inch double-page spreads viewed at 29.9% of actual size.)

A tour de force of interactive two-dimensional nature. (nature notes, further resources) (Picture book/poetry. 6-10)

Pub Date: March 16, 2021

ISBN: 978-1-4197-5158-5

Page Count: 48

Publisher: Magic Cat

Review Posted Online: Jan. 27, 2021

Kirkus Reviews Issue: Feb. 15, 2021

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In a word, a feast for the eyes, brain, and artistic imagination.


Words and pictures connect in surprising, stimulating ways.

Talk about painting with words. Author/illustrator Paschkis plays with them, too, and encourages readers to do likewise. In the process, she explores the elasticity and seemingly endless possibilities of language. The vividly colored, wittily detailed, folk-style paintings on double-page spreads organically incorporate words into the artwork in wondrous, creative ways. Words frequently repeat in different sizes and colors; illustrated images include words that sound or are shaped like them, are variations of them, rhyme or nearly rhyme with them, sort of resemble them, are sort of spelled like them, etc. A bouquet of flowers in a vase sports roses exuding the scents of slumber, sultry, shush, and other evocative words beginning with S; on a daisy’s petals readers find dizzy, doozy, lazy, jazzy; lief, leap, life, and more decorate the leaves. Delightful words—many of which readers won’t know, and that’s OK—flex vocabulary and spelling muscles to the max and also enhance readers’ visual and auditory senses when the pictures are taken in. Furthermore, the spreads are connected to thought-provoking questions. Some inspired the paintings, or vice versa, and themselves contain examples of wordplay. Persons depicted have diverse skin tones. The book makes a great springboard for creative-thinking activities in writing and art units in classroom and library programs. Keep dictionaries handy. Endpapers abound with swirling words readers can savor (and look up).

In a word, a feast for the eyes, brain, and artistic imagination. (author's note) (Picture book. 6-10)

Pub Date: July 13, 2021

ISBN: 978-1-59270-353-1

Page Count: 48

Publisher: Enchanted Lion Books

Review Posted Online: June 29, 2021

Kirkus Reviews Issue: July 15, 2021

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