Although the story may not make complete sense in our world, children will rejoice that everything comes together to make...

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CINNAMON

“Cinnamon was a princess, a long time ago, in a small hot country where everything was very old.”

Written in 1995, this story has been available only on the author’s website or as part of The Neil Gaiman Audio Collection (2004). Now the tale of the sightless princess and the mysterious talking tiger is a picture book with graceful and vibrant illustrations by Srinivasan. Cinnamon has beautiful pearl eyes, is blind, and does not talk. Many try to teach her to speak, lured by the rewards offered by her parents, the rajah and the rani, but no one succeeds until the talking tiger arrives. “He was huge and fierce, a nightmare in black and orange, and he moved like a god through the world, which is how tigers move.” The tiger awakes in Cinnamon the crucial emotions of pain, fear, and love, and he tells her of the beauty of the world beyond—and finally Cinnamon finds that she has something to say. With turbans, jewels, and elephants in intense, matte colors, the detailed, authentically South Asian illustrations transport readers to the fantastical setting of this inexplicable story. With the rani’s crabby old aunt, the limerick-spouting parrot, and nods to British authors both famous (Rudyard Kipling, Edward Lear) and obscure (William Cosmo Monkhouse), this story balances the odd and the whimsical, the bizarre and the beautiful.

Although the story may not make complete sense in our world, children will rejoice that everything comes together to make the princess happy in the end. (Picture book. 4-8)

Pub Date: May 2, 2017

ISBN: 978-0-06-239961-8

Page Count: 40

Publisher: Harper/HarperCollins

Review Posted Online: March 6, 2017

Kirkus Reviews Issue: March 15, 2017

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A delicious triumph over fear of night creatures.

PIPPA'S NIGHT PARADE

Pippa conquers a fear of the creatures that emerge from her storybooks at night.

Pippa’s “wonderfully wild imagination” can sometimes run “a little TOO wild.” During the day, she wears her “armor” and is a force to be reckoned with. But in bed at night, Pippa worries about “villains and monsters and beasts.” Sharp-toothed and -taloned shadows, dragons, and pirates emerge from her storybooks like genies from a bottle, just to scare her. Pippa flees to her parents’ room only to be brought back time and again. Finally, Pippa decides that she “needs a plan” to “get rid of them once and for all.” She decides to slip a written invitation into every book, and that night, they all come out. She tries subduing them with a lasso, an eye patch, and a sombrero, but she is defeated. Next, she tries “sashes and sequins and bows,” throwing the fashion pieces on the monsters, who…“begin to pose and primp and preen.” After that success, their fashion show becomes a nightly ritual. Clever Pippa’s transformation from scared victim of her own imagination to leader of the monster pack feels fairly sudden, but it’s satisfying nonetheless. The cartoony illustrations effectively use dynamic strokes, shadow, and light to capture action on the page and the feeling of Pippa's fears taking over her real space. Pippa and her parents are brown-skinned with curls of various textures.

A delicious triumph over fear of night creatures. (Picture book. 4-7)

Pub Date: Oct. 8, 2019

ISBN: 978-1-5420-9300-2

Page Count: 32

Publisher: Two Lions

Review Posted Online: June 25, 2019

Kirkus Reviews Issue: July 15, 2019

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A close encounter of the best kind.

FIELD TRIP TO THE MOON

Left behind when the space bus departs, a child discovers that the moon isn’t as lifeless as it looks.

While the rest of the space-suited class follows the teacher like ducklings, one laggard carrying crayons and a sketchbook sits down to draw our home planet floating overhead, falls asleep, and wakes to see the bus zooming off. The bright yellow bus, the gaggle of playful field-trippers, and even the dull gray boulders strewn over the equally dull gray lunar surface have a rounded solidity suggestive of Plasticine models in Hare’s wordless but cinematic scenes…as do the rubbery, one-eyed, dull gray creatures (think: those stress-busting dolls with ears that pop out when squeezed) that emerge from the regolith. The mutual shock lasts but a moment before the lunarians eagerly grab the proffered crayons to brighten the bland gray setting with silly designs. The creatures dive into the dust when the bus swoops back down but pop up to exchange goodbye waves with the errant child, who turns out to be an olive-skinned kid with a mop of brown hair last seen drawing one of their new friends with the one crayon—gray, of course—left in the box. Body language is expressive enough in this debut outing to make a verbal narrative superfluous.

A close encounter of the best kind. (Picture book. 6-8)

Pub Date: May 14, 2019

ISBN: 978-0-8234-4253-9

Page Count: 40

Publisher: Margaret Ferguson/Holiday House

Review Posted Online: Feb. 6, 2019

Kirkus Reviews Issue: March 1, 2019

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