A bedtime, daytime, anytime family story with a Black child at the center.
Here comes Kenny, a boy in perpetual motion.
In the first of four episodes, a Black boy named Kenny attempts to dress in different family members’ clothes while the patterned text unfolds as a series of questions and answers: “Can he wear these shoes?” the text asks as Kenny stands in a pair of purple pumps, answering its own question right away: “No, those are Mommy’s shoes.” When he finally gets dressed, the family walks Grandaddy to the bus with his suitcase. The second story tells of Kenny’s fear of the vacuum cleaner. Because it “roars like a lion” and eats off the floor, Kenny wonders if it might eat Kitty, his toy, or even him. In the third story, Kenny’s big sister gives him a lesson in soccer, a “no hands” sport (except for a high-five at the end). In the final story, although it’s Kenny’s bedtime, he isn’t tired…until he is. But there’s still time to snuggle up with Mommy for a story. Young readers who enjoyed Pinkney’s Puppy Truck (2019) will eagerly grow into reading these stories alone, but they also work well as participatory read-alouds because of the repetitive text. Solid, pastel-colored pages divide one vignette from another. With plenty of white space and colorful swirls depicting Kenny’s perpetual motion, Pinkney’s recognizable illustrations affirm the closeness of this Black family and paint an empathetic picture of one kid’s resistances, fears, and joys. (This book was reviewed digitally with 11-by-18-inch double-page spreads viewed at 25% of actual size.)
A bedtime, daytime, anytime family story with a Black child at the center. (Picture book. 4-7)Pub Date: Jan. 12, 2021
ISBN: 978-0-06-073528-9
Page Count: 40
Publisher: Greenwillow Books
Review Posted Online: Oct. 12, 2020
Kirkus Reviews Issue: Nov. 1, 2020
This warm family story is a splendid showcase for the combined talents of Medina, a Pura Belpré award winner, and Dominguez,...
Abuela is coming to stay with Mia and her parents. But how will they communicate if Mia speaks little Spanish and Abuela, little English? Could it be that a parrot named Mango is the solution?
The measured, evocative text describes how Mia’s español is not good enough to tell Abuela the things a grandmother should know. And Abuela’s English is too poquito to tell Mia all the stories a granddaughter wants to hear. Mia sets out to teach her Abuela English. A red feather Abuela has brought with her to remind her of a wild parrot that roosted in her mango trees back home gives Mia an idea. She and her mother buy a parrot they name Mango. And as Abuela and Mia teach Mango, and each other, to speak both Spanish and English, their “mouths [fill] with things to say.” The accompanying illustrations are charmingly executed in ink, gouache, and marker, “with a sprinkling of digital magic.” They depict a cheery urban neighborhood and a comfortable, small apartment. Readers from multigenerational immigrant families will recognize the all-too-familiar language barrier. They will also cheer for the warm and loving relationship between Abuela and Mia, which is evident in both text and illustrations even as the characters struggle to understand each other. A Spanish-language edition, Mango, Abuela, y yo, gracefully translated by Teresa Mlawer, publishes simultaneously.
This warm family story is a splendid showcase for the combined talents of Medina, a Pura Belpré award winner, and Dominguez, an honoree. (Picture book. 4-7)Pub Date: Aug. 25, 2015
ISBN: 978-0-7636-6900-3
Page Count: 32
Publisher: Candlewick
Review Posted Online: April 14, 2015
Kirkus Reviews Issue: May 1, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Nice enough but not worth repeat reads.
Emma deals with jitters before playing the guitar in the school talent show.
Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)
Nice enough but not worth repeat reads. (Picture book. 4-6)Pub Date: March 29, 2022
ISBN: 978-0-593-35207-6
Page Count: 40
Publisher: Razorbill/Penguin
Review Posted Online: Feb. 8, 2022
Kirkus Reviews Issue: March 1, 2022
BOOK REVIEW
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