An often engaging novel that’s undermined by its turn toward grandiose political machinations.
An American gemologist searches for a legendary emerald mine in the wetlands of Brazil and gets drawn into a vast political conspiracy in Brewer’s thriller set in the early 1990s.
Jake Tate spent years selling contraband diamonds in Angola, a dangerous but lucrative trade, but then disaster struck—the country erupted into civil war, and he was forced to flee over the border into Zaire. There, he was arrested and imprisoned and lost most of the diamonds he was transporting. He’s free now, but he can’t afford to ignore the possibility of a big score. While trying to buy emeralds in Brazil from old friend and jeweler Itzhak Blum, Jake learns that Itzhak’s impressive emerald collection comes from the Borba mine, nestled deep in the Brazilian jungle in the remote locale of Pantanal. Itzhak’s source of information, professor Joaquim Fontes, has vanished, but he offers Jake the man’s address in exchange for a piece of the action if Jake tracks down the mine. However, when Jake arrives at the professor’s home, he finds the man’s wife, Isabella, in despair—she’s convinced her husband has been murdered, and his map to the mine has been stolen. Jake believes it was likely pilfered by Heiner Klimt, a German rival who’s bested Jake for years. However, Brewer has an adventurous inclination toward the implausible, so he makes sure that Jake has a chance encounter with Marisa Fontes, Joaquim’s daughter. She’s not only sure her father is alive, but also just happens to have memorized the stolen map. There remains one major problem—the land where the mine is located is owned by Sen. Alfonso Fonseca, a candidate for the Brazilian presidency.
The first half of this relatively short novel—barely more than 200 pages—is a gripping tale of underworld crime and desperate aspiration; Jake is effectively shown to be willing to risk everything for his big shot at real wealth. His dream is a shallow, materialistic one, but its conflict with Marisa’s emotional longing to find her father seems to open him up to the possibility of new and redemptive depth, which Brewer artfully and sensitively depicts in these pages. Also, the author vividly describes the formidable wetlands of the Brazilian interior, getting across its compelling combination of lush beauty and peril. Indeed, for the most part, this is a torridly paced thriller overflowing with sharply described action. However, the more the plot pivots to a political conspiracy involving Sen. Fonseca and the world of illicit drug trafficking, the more fantastical and unbelievable it becomes. Moreover, the picture of Brazil’s corrupt political scene lacks nuance and reduces it to a bland version of oligarchic corruption: “Only an idiot would vote for the bastard or anybody else in his coalition if they bothered to follow their legislative voting record, but nobody does. Politics don’t work that way here….Elections are won with free T-shirts, free beer, dances, and lots and lots of money.”
An often engaging novel that’s undermined by its turn toward grandiose political machinations.Pub Date: April 14, 2021
ISBN: 978-1-95-534711-2
Page Count: 222
Publisher: Goldtouch Press, LLC
Review Posted Online: Aug. 27, 2021
Review Program: Kirkus Indie
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
A dark and twisty look at just how far one woman is willing to go to find inspiration.
A struggling writer finds an unexpected muse when a mysterious man shows up at her cabin.
Petra Rose used to pump out a bestselling book every six months, but then the adaptation happened—that is, the disastrous film adaptation of her most famous book. The movie changed the book’s storyline so egregiously that fans couldn’t forgive her, and the ensuing harassment sent Petra into hiding and gave her a serious case of writer’s block. Petra’s one hope is her solo writing retreat at a remote cabin, where she can escape the distractions of real life and focus on her next book, a story about a woman having an affair with a cop. When officer Nathaniel Saint shows up at her cabin door, inspiration comes flooding back. Much like the character from Petra’s book, Saint is married, and he’s willing to be Petra’s muse, helping her get into her characters’ heads. Petra’s book is practically writing itself, but is the game she’s playing a little too dangerous? Does she know when to stop—and, more importantly, is Saint willing to stop? Hoover is no stranger to controversial movie adaptations and internet backlash, but she clarifies in a note to readers that she’s “just a writer writing about a writer” and that no further connections to her own life are contained in these pages—which is a good thing, because the book takes some horrifying twists and turns. Petra finds herself inexplicably attracted to Saint, even as she describes him as “such an asshole,” and her feelings for him veer between love and hate. The novel serves as a meta commentary on the dark romance genre—as Petra puts it, “Even though, as readers, we wouldn’t want to live out some of the fantasies we read about, it doesn’t mean we don’t enjoy reading those things.”
A dark and twisty look at just how far one woman is willing to go to find inspiration.Pub Date: Jan. 13, 2026
ISBN: 9781662539374
Page Count: -
Publisher: Montlake
Review Posted Online: Sept. 27, 2025
Kirkus Reviews Issue: Nov. 1, 2025
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