THE ROBOT KING

From the author of The Houdini Box (1991), a haunting, enigmatic tale of two lonely children who create something wonderful. Ezra, mute since his mother's death, compulsively collects small thingspebbles, bits of glass, clock parts, wires, keysthat older sister Lucy uses to craft mechanical toys. When she assembles a man-sized figure and inserts their mother's music box as a heart, it comes aliveand what life! Sparks fly from it, pieces that fall or break off whirl through the air, and when it escapes the attic, it leaves a trail of animated bicycles and other machines for the children to follow. The story ends on a suspended note; Lucy and Ezra never do catch up to the Robot King, but a ferris wheel spins them skyward, where they touch the moon and catch a glimpse of their long-absent father returning home. Readers will respond deeply to this, and to the return of Ezra's speech, but they may wish for a stronger sense of closure, and for more of the lovely illustrations, too. Selznick's dark, soft-textured pencil drawings enhance the narrative's elegaic air. The Robot King, with its mannequin's head and packed, indistinct body half-hidden beneath a long velvet jacket, cuts an oddly elegant figure, and the human faces are rendered with a sad, composed beauty. (Fiction. 9-12)

Pub Date: Sept. 30, 1995

ISBN: 0-06-024493-3

Page Count: 80

Publisher: HarperCollins

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1995

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Not for the faint-hearted—who are mostly adults anyway—but for stouthearted kids who love a brush with the sinister:...

CORALINE

A magnificently creepy fantasy pits a bright, bored little girl against a soul-eating horror that inhabits the reality right next door.

Coraline’s parents are loving, but really too busy to play with her, so she amuses herself by exploring her family’s new flat. A drawing-room door that opens onto a brick wall becomes a natural magnet for the curious little girl, and she is only half-surprised when, one day, the door opens onto a hallway and Coraline finds herself in a skewed mirror of her own flat, complete with skewed, button-eyed versions of her own parents. This is Gaiman’s (American Gods, 2001, etc.) first novel for children, and the author of the Sandman graphic novels here shows a sure sense of a child’s fears—and the child’s ability to overcome those fears. “I will be brave,” thinks Coraline. “No, I am brave.” When Coraline realizes that her other mother has not only stolen her real parents but has also stolen the souls of other children before her, she resolves to free her parents and to find the lost souls by matching her wits against the not-mother. The narrative hews closely to a child’s-eye perspective: Coraline never really tries to understand what has happened or to fathom the nature of the other mother; she simply focuses on getting her parents back and thwarting the other mother for good. Her ability to accept and cope with the surreality of the other flat springs from the child’s ability to accept, without question, the eccentricity and arbitrariness of her own—and every child’s own—reality. As Coraline’s quest picks up its pace, the parallel world she finds herself trapped in grows ever more monstrous, generating some deliciously eerie descriptive writing.

Not for the faint-hearted—who are mostly adults anyway—but for stouthearted kids who love a brush with the sinister: Coraline is spot on. (Fiction. 9-12)

Pub Date: July 1, 2002

ISBN: 0-380-97778-8

Page Count: 176

Publisher: HarperCollins

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: June 15, 2002

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NIM'S ISLAND

A child finds that being alone in a tiny tropical paradise has its ups and downs in this appealingly offbeat tale from the Australian author of Peeling the Onion (1999). Though her mother is long dead and her scientist father Jack has just sailed off on a quick expedition to gather plankton, Nim is anything but lonely on her small island home. Not only does she have constant companions in Selkie, a sea lion, and a marine iguana named Fred, but Chica, a green turtle, has just arrived for an annual egg-laying—and, through the solar-powered laptop, she has even made a new e-mail friend in famed adventure novelist Alex Rover. Then a string of mishaps darkens Nim’s sunny skies: her father loses rudder and dish antenna in a storm; a tourist ship that was involved in her mother’s death appears off the island’s reefs; and, running down a volcanic slope, Nim takes a nasty spill that leaves her feverish, with an infected knee. Though she lives halfway around the world and is in reality a decidedly unadventurous urbanite, Alex, short for “Alexandra,” sets off to the rescue, arriving in the midst of another storm that requires Nim and companions to rescue her. Once Jack brings his battered boat limping home, the stage is set for sunny days again. Plenty of comic, freely-sketched line drawings help to keep the tone light, and Nim, with her unusual associates and just-right mix of self-reliance and vulnerability, makes a character young readers won’t soon tire of. (Fiction. 10-12)

Pub Date: March 1, 2001

ISBN: 0-375-81123-0

Page Count: 144

Publisher: Knopf

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Dec. 15, 2000

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