In a strong debut, an Iraq War veteran tells the before and after for both sides of a brief firefight in the early days of Operation Iraqi Freedom.
Army soldiers Cassandra, Crump, and McGinnis and their Humvee are part of a group guarding a roundabout outside Baghdad in 2003. During a mujahedeen mortar and ground assault, the three are last seen taking shelter in an irrigation canal when the story shifts back two years. The mujahedeen are recruiting in Afghanistan and mulling their next campaign when 9/11 occurs and they embark on the trajectory that will end at that roundabout. The narrative hopscotch continues in pre-raid time jumps tracking the Humvee soldiers and the Muslim fighters, while Van Reet, who served with a tank crew in Iraq, adds a third group, a trio of tank crewmen whose hunt for Saddam souvenirs will take them off post when the call comes to head for the embattled roundabout. The author gives each of the three groups a distinctive voice, revealing the hearts and minds on both sides of the war and how training, stupidity, and fear all come into play. Cassandra, Crump, and McGinnis resurface in the main timeline as POWs in separate rooms of a makeshift prison. It’s soon clear that the insurgent leader will use any method to make them serve his propaganda videos, leaving 100 grimly tense pages before the end. Van Reet’s lean prose accommodates a laconic style suggesting military reports and detail-rich context fed by a keen eye and memory. He embeds the reader with the unwashed troops in a cramped Humvee, in a dark cell where only screams penetrate, and in the mind of a Muslim fighter with two decades of campaigning, a dead son, a lost wife, scant wins, and more doubts than faith can ease.
A fine piece of writing that should stand in the front ranks of recent war novels.Pub Date: April 18, 2017
ISBN: 978-0-316-31616-3
Page Count: 304
Publisher: Lee Boudreaux/Little, Brown
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
Categories: LITERARY FICTION
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A flabby, fervid melodrama of a high-strung Southern family from Conroy (The Great Santini, The Lords of Discipline), whose penchant for overwriting once again obscures a genuine talent. Tom Wingo is an unemployed South Carolinian football coach whose internist wife is having an affair with a pompous cardiac man. When he hears that his fierce, beautiful twin sister Savannah, a well-known New York poet, has once again attempted suicide, he escapes his present emasculation by flying north to meet Savannah's comely psychiatrist, Susan Lowenstein. Savannah, it turns out, is catatonic, and before the suicide attempt had completely assumed the identity of a dead friend—the implication being that she couldn't stand being a Wingo anymore. Susan (a shrink with a lot of time on her hands) says to Tom, "Will you stay in New York and tell me all you know?" and he does, for nearly 600 mostly-bloated pages of flashbacks depicting The Family Wingo of swampy Colleton County: a beautiful mother, a brutal shrimper father (the Great Santini alive and kicking), and Tom and Savannah's much-admired older brother, Luke. There are enough traumas here to fall an average-sized mental ward, but the biggie centers around Luke, who uses the skills learned as a Navy SEAL in Vietnam to fight a guerrilla war against the installation of a nuclear power plant in Colleton and is killed by the authorities. It's his death that precipitates the nervous breakdown that costs Tom his job, and Savannah, almost, her life. There may be a barely-glimpsed smaller novel buried in all this succotash (Tom's marriage and life as a football coach), but it's sadly overwhelmed by the book's clumsy central narrative device (flashback ad infinitum) and Conroy's pretentious prose style: ""There are no verdicts to childhood, only consequences, and the bright freight of memory. I speak now of the sun-struck, deeply lived-in days of my past.
Pub Date: Oct. 21, 1986
ISBN: 0553381547
Page Count: 686
Publisher: Houghton Mifflin
Review Posted Online: Oct. 30, 2013
Kirkus Reviews Issue: Sept. 15, 1986
Categories: LITERARY FICTION
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SEEN & HEARD
An amazingly intricate and ambitious first novel - ten years in the making - that puts an engrossing new spin on the traditional haunted-house tale.
Texts within texts, preceded by intriguing introductory material and followed by 150 pages of appendices and related "documents" and photographs, tell the story of a mysterious old house in a Virginia suburb inhabited by esteemed photographer-filmmaker Will Navidson, his companion Karen Green (an ex-fashion model), and their young children Daisy and Chad. The record of their experiences therein is preserved in Will's film The Davidson Record - which is the subject of an unpublished manuscript left behind by a (possibly insane) old man, Frank Zampano - which falls into the possession of Johnny Truant, a drifter who has survived an abusive childhood and the perverse possessiveness of his mad mother (who is institutionalized). As Johnny reads Zampano's manuscript, he adds his own (autobiographical) annotations to the scholarly ones that already adorn and clutter the text (a trick perhaps influenced by David Foster Wallace's Infinite Jest) - and begins experiencing panic attacks and episodes of disorientation that echo with ominous precision the content of Davidson's film (their house's interior proves, "impossibly," to be larger than its exterior; previously unnoticed doors and corridors extend inward inexplicably, and swallow up or traumatize all who dare to "explore" their recesses). Danielewski skillfully manipulates the reader's expectations and fears, employing ingeniously skewed typography, and throwing out hints that the house's apparent malevolence may be related to the history of the Jamestown colony, or to Davidson's Pulitzer Prize-winning photograph of a dying Vietnamese child stalked by a waiting vulture. Or, as "some critics [have suggested,] the house's mutations reflect the psychology of anyone who enters it."
The story's very ambiguity steadily feeds its mysteriousness and power, and Danielewski's mastery of postmodernist and cinema-derived rhetoric up the ante continuously, and stunningly. One of the most impressive excursions into the supernatural in many a year.Pub Date: March 6, 2000
ISBN: 0-375-70376-4
Page Count: 704
Publisher: Pantheon
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2000
Categories: LITERARY FICTION
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