by Brian Wilson with Ben Greenman ‧ RELEASE DATE: Oct. 11, 2016
As a study in creativity, superb, though as memoir, partial and a touch reluctant. Whatever the case, essential for any...
Everyone’s favorite musical mad scientist reveals a troubled yet hopeful life.
Famously, as depicted in the recent film Love & Mercy, Wilson stopped touring with his band, the Beach Boys, after suffering a panic attack while on a flight to Houston in 1964. He did not retreat—not yet, anyway—from music, spending the next year thinking about what kinds of songs he wanted to write and whether pop had any sonic boundaries beyond which one could not travel. “I couldn’t really think of any limits,” he writes, and so emerged “Pet Sounds,” “Good Vibrations,” “California Girls,” and other resonant wonders. At the same time, and ever since, Wilson has battled mental illness, a malady with a clear genetic lineage, as well as the effects of abuse at the hands of his father, his psychiatrist, and the less angelic voices in his head. Chasing down his sonic visions is a matter that Wilson treats with some mystery. As he writes, he saw bits and pieces of melody go swimming by like goldfish: “They dart one way and you see a little flash of orange, but you don’t really know whether they’re coming or going.” Wilson writes as he speaks, haltingly and with a kind of sideways hesitancy born, he tells it, from being deafened by a blow from his father’s fist—which has had one salutary effect, though giving him a lopsided appearance, namely that he writes in mono: “I can only hear out of one side, which means that it’s already mixed down.” Readers seeking a tell-all will find instead delicate, thoughtful reflections on how music is made as well as wistful remembrances of Wilson’s dead brothers and band mates Carl and Dennis. When the usual villain of the Beach Boys story, Mike Love, is mentioned, it is only briefly, and then usually in connection to some legal action or another.
As a study in creativity, superb, though as memoir, partial and a touch reluctant. Whatever the case, essential for any Beach Boys fan.Pub Date: Oct. 11, 2016
ISBN: 978-0-306-82306-0
Page Count: 336
Publisher: Da Capo
Review Posted Online: Aug. 1, 2016
Kirkus Reviews Issue: Aug. 15, 2016
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by Wendy Holden ‧ RELEASE DATE: May 5, 2015
An engrossing, intense, and highly descriptive narrative chronicling the ghastly conditions three pregnant women suffered...
The incredible true story of three Jewish women who survived the Holocaust.
Priska, Rachel, and Anka were married Jewish women in their early 20s when the Nazis took control of Europe. Like millions of other Jews, they were forced to give up their normal lives, all of their belongings, and their homes. Shuttled into ghettos and then off to one of the most notorious camps, Auschwitz II-Birkenau, they suffered through the Nazis’ increasing atrocities. But these three women all held a secret: they were pregnant. They were moved from Auschwitz and ended up in Mauthausen, another notorious death camp. With facing the most horrible conditions imaginable, all three gave birth right before the Allies accepted Germany’s surrender. In this meticulously detailed account, Holden (Haatchi & Little B: The Inspiring True Story of One Boy and His Dog, 2014, etc.) compiles an enormous amount of information from interviews, letters, historical records, and personal visits to the sites where this story unfolded. The graphic history places readers in the moment and provides a sense of the enduring power of love that Priska, Rachel, and Anka had for their unborn children and for the husbands they so desperately hoped to see after the war. Even though it occurred more than 70 years ago, the story’s truth is so chillingly portrayed that it seems as if it could have happened recently. These three women and their infants survived in the face of death, and, Holden writes, “their babies went on to have babies of their own and create a second and then a third generation, all of whom continue to live their lives in defiance of Hitler’s plan to erase them from history and from memory.”
An engrossing, intense, and highly descriptive narrative chronicling the ghastly conditions three pregnant women suffered through at the hands of the Nazis.Pub Date: May 5, 2015
ISBN: 978-0-06-237025-9
Page Count: 400
Publisher: Harper/HarperCollins
Review Posted Online: March 28, 2015
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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