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BRIGHT EYES

SURVIVING OUR MONSTERS AND LEARNING TO LIVE WITHOUT THEM

A deftly rendered portrait of a tragically toxic mother-daughter relationship.

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Thelen-Heidel recounts a childhood shaped by her mother’s destructive decisions in this debut memoir.

Bridey Thelen moved a lot as a kid; by the time she graduated high school, she had attended 22 schools. The reason was her mother’s poor judgment concerning men—poor when it came to choosing them, poor when it came to keeping them, and poor when it came to keeping Bridey safe from them. From a silver school bus in Juneau, Alaska, to a motel in South Lake Tahoe, California, and many points in between, the moves frequently came without warning or explanation, leaving the author adrift and lonely as her relationships with friends, relatives, father figures, and even her dog—with anyone, in fact, besides her mother, the drug-using, party-loving Frankie—were abruptly and unceremoniously severed. Often left to figure out the ways of the world on her own (and to defend herself from the occasionally predatory behavior of her mom’s boyfriends), Bridey was forced to grow up quickly, doing her best to protect herself and, eventually, her younger sister, Bephens. Eventually, the author came to realize that her mother’s decisions could cost the smart, ambitious Bridey her shot at the life she wanted—and that Frankie was not simply the person who kept letting monsters into their lives but was, perhaps, a monster herself. Thelen-Heidel’s prose possesses both a charming warmth and a lyrical eye for the world around her. Here she describes seeing one of the many houses she and Frankie lived in for the first time: “A gust of wind slaps sticks and small rocks against the mud stained in patterns on the stucco—some darker and some light— reminding me of the patterns of bruises we’ve tried to heal—some deep and some old. All stained.” It’s a difficult read in many ways, but the young Bridey is such an irrepressible protagonist that it’s easy for the reader to find inspiration amid the squalor and heartache.

A deftly rendered portrait of a tragically toxic mother-daughter relationship.

Pub Date: Sept. 24, 2024

ISBN: 9781647427382

Page Count: 296

Publisher: She Writes Press

Review Posted Online: May 31, 2024

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107 DAYS

A determined if self-regarding portrait of a candidate striving to define herself and her campaign on her own terms.

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  • New York Times Bestseller

An insider’s chronicle of a pivotal presidential campaign.

Several months into the mounting political upheaval of Donald Trump’s second term and following a wave of bestselling political exposés, most notably Jake Tapper and Alex Thompson’s Original Sin on Joe Biden’s health and late decision to step down, former Vice President Harris offers her own account of the consequential months surrounding Biden’s withdrawal and her swift campaign for the presidency. Structured as brief chapters with countdown headers from 107 days to Election Day, the book recounts the campaign’s daily rigors: vetting a running mate, navigating back-to-back rallies, preparing for the convention and the debate with Trump, and deflecting obstacles in the form of both Trump’s camp and Biden’s faltering team. Harris aims to set the record straight on issues that have remained hotly debated. While acknowledging Biden’s advancing decline, she also highlights his foreign-policy steadiness: “His years of experience in foreign policy clearly showed….He was always focused, always commander in chief in that room.” More blame is placed on his inner circle, especially Jill Biden, whom Harris faults for pushing him beyond his limits—“the people who knew him best, should have realized that any campaign was a bridge too far.” Throughout, she highlights her own qualifications and dismisses suggestions that an open contest might have better served the party: “If they thought I was down with a mini primary or some other half-baked procedure, I was quick to disabuse them.” Facing Trump’s increasingly unhinged behavior, Harris never openly doubts her ability to confront him. Yet she doesn’t fully persuade the reader that she had the capacity to counter his dominance, suggesting instead that her defeat stemmed from a lack of time—a theme underscored by the urgency of the book’s title. If not entirely sanguine about the future, she maintains a clear-eyed view of the damage already done: “Perhaps so much damage that we will have to re-create our government…something leaner, swifter, and much more efficient.”

A determined if self-regarding portrait of a candidate striving to define herself and her campaign on her own terms.

Pub Date: Sept. 23, 2025

ISBN: 9781668211656

Page Count: 320

Publisher: Simon & Schuster

Review Posted Online: Sept. 23, 2025

Kirkus Reviews Issue: Nov. 15, 2025

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TANQUERAY

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

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  • New York Times Bestseller

A former New York City dancer reflects on her zesty heyday in the 1970s.

Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Pub Date: July 12, 2022

ISBN: 978-1-250-27827-2

Page Count: 192

Publisher: St. Martin's

Review Posted Online: July 27, 2022

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