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SILENCE OF THE SONGBIRDS

HOW WE ARE LOSING THE WORLD’S SONGBIRDS AND WHAT WE CAN DO TO SAVE THEM

A powerful warning, very much in the vein of Rachel Carson’s Silent Spring.

Ornithologists have noticed a significant decline in the numbers of migratory songbird species. Here’s an overview of the problem.

Stutchbury (Biology/York Univ., Toronto) begins with the tropical forests of Central and South America, and many islands in the Caribbean: second homes to our familiar birds. There they adopt a different lifestyle, fattening up for the flight back to their breeding grounds in springtime. But their southern homes are under severe pressure. Deforestation is a significant threat, as the once-solid ranks of trees come down to make way for cash crops. Prime habitat is being lost, and, along with it, food sources the songbirds depend on. Worse still, in many of the countries where they winter, birds are subjected to heavy doses of pesticides. Some birds are killed outright; others are simply so weakened that they cannot complete their migration north. Stutchbury offers positive suggestions, such as drinking shade-grown coffee, which minimizes deforestation, and buying organic food instead of pesticide-laced products. But there are other, less easily dodged problems. City lights and tall buildings are bird killers—many thousands of birds can crash into a TV tower or wind farm during the migration season. Domestic cats allowed to roam free are prolific bird killers, too—as are feral cats. Northern habitats are also under pressure—forest preservation not being the highest priority in North America. The result has been a steady and measurable decline in the populations of almost all the major migratory songbirds over the last several decades. Stutchbury emphasizes that birds are not the only threatened species: The loss of forest contributes to global warming, and the human population will inevitably suffer the consequences. She closes with a short list of countermeasures the average person can take to help save the birds.

A powerful warning, very much in the vein of Rachel Carson’s Silent Spring.

Pub Date: June 1, 2007

ISBN: 978-0-8027-1609-5

Page Count: 272

Publisher: Walker

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 2007

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THE BOOK OF EELS

OUR ENDURING FASCINATION WITH THE MOST MYSTERIOUS CREATURE IN THE NATURAL WORLD

Unsentimental nature writing that sheds as much light on humans as on eels.

An account of the mysterious life of eels that also serves as a meditation on consciousness, faith, time, light and darkness, and life and death.

In addition to an intriguing natural history, Swedish journalist Svensson includes a highly personal account of his relationship with his father. The author alternates eel-focused chapters with those about his father, a man obsessed with fishing for this elusive creature. “I can’t recall us ever talking about anything other than eels and how to best catch them, down there by the stream,” he writes. “I can’t remember us speaking at all….Because we were in…a place whose nature was best enjoyed in silence.” Throughout, Svensson, whose beat is not biology but art and culture, fills his account with people: Aristotle, who thought eels emerged live from mud, “like a slithering, enigmatic miracle”; Freud, who as a teenage biologist spent months in Trieste, Italy, peering through a microscope searching vainly for eel testes; Johannes Schmidt, who for two decades tracked thousands of eels, looking for their breeding grounds. After recounting the details of the eel life cycle, the author turns to the eel in literature—e.g., in the Bible, Rachel Carson’s Under the Sea Wind, and Günter Grass’ The Tin Drum—and history. He notes that the Puritans would likely not have survived without eels, and he explores Sweden’s “eel coast” (what it once was and how it has changed), how eel fishing became embroiled in the Northern Irish conflict, and the importance of eel fishing to the Basque separatist movement. The apparent return to life of a dead eel leads Svensson to a consideration of faith and the inherent message of miracles. He warns that if we are to save this fascinating creature from extinction, we must continue to study it. His book is a highly readable place to begin learning.

Unsentimental nature writing that sheds as much light on humans as on eels.

Pub Date: May 5, 2020

ISBN: 978-0-06-296881-4

Page Count: 256

Publisher: Ecco/HarperCollins

Review Posted Online: Feb. 29, 2020

Kirkus Reviews Issue: March 15, 2020

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A FIRE STORY

Drawings, words, and a few photos combine to convey the depth of a tragedy that would leave most people dumbstruck.

A new life and book arise from the ashes of a devastating California wildfire.

These days, it seems the fires will never end. They wreaked destruction over central California in the latter months of 2018, dominating headlines for weeks, barely a year after Fies (Whatever Happened to the World of Tomorrow?, 2009) lost nearly everything to the fires that raged through Northern California. The result is a vividly journalistic graphic narrative of resilience in the face of tragedy, an account of recent history that seems timely as ever. “A two-story house full of our lives was a two-foot heap of dead smoking ash,” writes the author about his first return to survey the damage. The matter-of-fact tone of the reportage makes some of the flights of creative imagination seem more extraordinary—particularly a nihilistic, two-page centerpiece of a psychological solar system in which “the fire is our black hole,” and “some veer too near and are drawn into despair, depression, divorce, even suicide,” while “others are gravitationally flung entirely out of our solar system to other cities or states, and never seen again.” Yet the stories that dominate the narrative are those of the survivors, who were part of the community and would be part of whatever community would be built to take its place across the charred landscape. Interspersed with the author’s own account are those from others, many retirees, some suffering from physical or mental afflictions. Each is rendered in a couple pages of text except one from a fellow cartoonist, who draws his own. The project began with an online comic when Fies did the only thing he could as his life was reduced to ash and rubble. More than 3 million readers saw it; this expanded version will hopefully extend its reach.

Drawings, words, and a few photos combine to convey the depth of a tragedy that would leave most people dumbstruck.

Pub Date: March 5, 2019

ISBN: 978-1-4197-3585-1

Page Count: 160

Publisher: Abrams ComicArts

Review Posted Online: Nov. 25, 2018

Kirkus Reviews Issue: Dec. 15, 2018

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