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DANCING WITH BEES

A JOURNEY BACK TO NATURE

An eloquent love letter to bees.

A British naturalist offers crisp essays on her relationship with bees.

In her debut book, Howard, a devoted bee advocate, pens a lengthy, knowledgeable, and occasionally poetic tribute to honeybees, bumblebees, and other buzzy creatures. She pays attention to the much-publicized, recent dearth of bees but also focuses much of her attention on bees’ role in nature—to pollinate flowers, plants, and trees. As she notes, the author’s husband is a professional beekeeper, but this book is a personal journey about Howard falling in love with bees while in her 40s. The narrative is frequently eye-opening and profound, marked by the author’s dry wit and graceful writing. “As my interest in bees has grown,” she writes, “so has my awareness of everything that surrounds them or connects them to the web of life they exist within. I feel as though I have embarked on a never-ending journey, a journey that spirals continuously outwards, gathering momentum and taking on a life of its own as it sweeps up all the wondrous, wild things that fly, swim, walk, or crawl in its wake….If I could draw the route of my journey, I suspect it might look a little like a spider’s web, dotted here and there with treasures.” Howard also provides a nice balance between the very real science of studying bees and their function in nature and her cleareyed and eloquent observations about the natural world. Because of that balance, what might have sounded like a dry lecture turns into something far more interesting. Whether she’s explaining how different bee species are classified, describing her mother’s deteriorating health (and eventual death), or simply ruminating on the beauty around her, Howard creates a text that is compelling and worth your time even if you’re not a fellow bee advocate.

An eloquent love letter to bees.

Pub Date: Sept. 5, 2019

ISBN: 978-1-60358-848-5

Page Count: 304

Publisher: Chelsea Green

Review Posted Online: Aug. 25, 2019

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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