by Brit Lunden ‧ RELEASE DATE: Sept. 30, 2019
An engrossing, sometimes eerie tale with a pragmatic but remarkable protagonist.
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A woman who has pined over a guy for years unwittingly captures the attention of a handsome but unsettling stranger in this novella.
People in the town of Bulwark, Georgia, generally dismiss Dayna Dalton. Due to her mother’s dismal reputation, some write Dayna off as Becky Dalton’s “white-trash daughter.” A reporter for local newspaper the Bulwark Advance, Dayna has had her choice of potential suitors throughout the years. But there’s only one person she wants: Sheriff Clay Finnes. She’s been drawn to Clay since the two were high schoolers in Bulwark. Although he’s respectful of Dayna, he rejects each one of her advances and wishes simply to be friends. Her longing continues even after Clay ties the knot with nurse Jenna Harper. But Dayna never makes a pass at the sheriff when he’s married, and she seems content with their working relationship, as he provides information on cases for the paper. Dayna typically writes puff pieces for the Advance but is always on the lookout for something juicy. She may have found just that with the wolf that nearly attacks her. But her editor assures her there are no wolves in Bulwark. Consequently, she keeps mum about the red-eyed stranger who apparently rescued her from the animal. When she returns to the woods where she first saw the man, Dayna hears someone calling her name. The stranger then appears in a rousing but surreal encounter, and Dayna later witnesses unexplainable things that make her question if she’s hallucinating or stepping into new, much darker terrain. This is the ninth installment of a multiauthor anthology, with recurring characters and stories set in Bulwark. This brisk, enjoyable novella frequently references Lunden’s (The Knowing, 2019, etc.) Book 1 as well as her pre-anthology, Bulwark-set debut work. For example, there’s a notable scene featuring older townsperson JB Straton. To find out a lot of specifics about this character, readers would need to peruse the earlier stories. But the author suitably incorporates some details about the man in this installment (for example, chasing a possible article on JB ultimately leads to the stranger with blood-red eyes). Dayna, who has also previously appeared in the anthology, is a sympathetic protagonist. She has genuine affection for Clay, and she suffers a contentious relationship with Becky. In the same vein, Dayna’s “series of meaningless affairs” is a sign that she’s trying, and repeatedly failing, to find a deeper connection with someone other than Clay. The story, perhaps unsurprisingly, gets more somber as Dayna gets closer to the stranger. Scenes with the two are ambiguous, which will lead most readers to question, like Dayna, what she’s actually experiencing. Lunden’s writing style delivers titillating moments that still manage subtlety: “A faint exhalation of breath tickled her neck, making every organ in her body sizzle and snap back to life.” The humor is as dark as the plot. Dayna’s former babysitter, Thelma Sweetpea, is now her neighbor, and she has a wanton animosity for the reporter. Mrs. Sweetpea is funny as an elderly woman who evidently disapproves of Dayna’s lifestyle, but the neighbor also becomes progressively creepier.
An engrossing, sometimes eerie tale with a pragmatic but remarkable protagonist.Pub Date: Sept. 30, 2019
ISBN: 978-1-950080-02-1
Page Count: 128
Publisher: Chelshire
Review Posted Online: Dec. 4, 2019
Review Program: Kirkus Indie
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by Kristin Hannah ‧ RELEASE DATE: March 1, 2001
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
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by Larry McMurtry ‧ RELEASE DATE: June 1, 1985
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
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