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EARLY MEN

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A debut short story collection depicts men in the 21st-century American South.

A college dropout drifts from his mother’s home to the dwelling of an older German lover whose husband is serving in Iraq. A graduate student comes to terms with his intersectional identity. A frustrated science professor methodically destroys his own marriage. The men in the 11 stories in Haraway’s collection are all faced with momentous decisions. They can create or destroy; they can move forward or stagnate. They can become—or not become—the men they are capable of being. Scattered across the South, from Tennessee to Texas (with the exception of one outlying story set in the Colorado Rockies), the author’s carefully crafted characters are products of their regions, families, and circumstances. Several of them are young, just figuring out how to be men, but others are careening into middle age or widowerhood. The heroes of “The Doughnut Rebellion” are old enough that they reside in a nursing home. At times, Haraway can be heavy-handed. In “Back to Zero,” a young white resident of Memphis discusses an overlooked African-American musician’s career with a friend and observes to himself: “I never thought much about privilege, the thousand moments like this where one life is easier than another one, where obstacles are got around.” This is an important realization for a young white man, to be sure—and demonstrates Haraway’s strong attention to a changing South and a transforming America—but revelations like these could be portrayed with more subtlety. In other places, however, the author’s attention to detail and rhythm is quite effective. In “Lucy and the Early Men,” the narrator describes an article he wrote about an archaeological site on Native American land adjacent to the U.S.–Mexican border wall: “Just a bit of history that had helped me understand the wall. The age of bones. Finding the fishing gear and the boat evidence. A bunch of weapons.” Lines like these demonstrate Haraway’s developing mastery of the short story form and show that this book—and any subsequent works from the author—is worth a reader’s attention. Well-crafted contemporary tales with Southern protagonists.

Pub Date: Sept. 10, 2016

ISBN: 978-1-942956-25-9

Page Count: -

Publisher: Lamar University Press

Review Posted Online: Dec. 29, 2016

Kirkus Reviews Issue: Feb. 15, 2017

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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DISTANT SHORES

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...

Another middle-aged mom in a muddle.

After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).

Pub Date: July 1, 2002

ISBN: 0-345-45071-X

Page Count: 352

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2002

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