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HOPE OF AGES PAST

AN EPIC NOVEL OF FAITH, LOVE, AND THE THIRTY YEARS WAR

A gripping novel that effectively captures the predicaments of those caught up in one of history’s bloodiest wars.

Awards & Accolades

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  • Kirkus Reviews'
    Best Books Of 2018

Gardner’s debut historical novel, set during the Thirty Years’ War in the 1600s, tells the story of a Lutheran pastor and a Catholic major whose lives are intertwined from boyhood.

The novel opens in 1618 in Prague, the capital of the Kingdom of Bohemia. Sixteen-year-old Peter Erhart and his father, Jakob, the chief accounting officer for the Holy Roman Emperor’s Bohemian Embassy, make their way to a meeting at Hradschin Castle. A group of Bohemian Protestant rebels forces its way into the castle, intent on provoking an uprising by murdering Catholic representatives; the young Peter comes to the aid of Hans Mannheim, a Catholic boy who’s attending the meeting with his father, a baron and chief military adviser. The boys witness the incendiary spark that ignites the Thirty Years’ War—a complex post-Reformation conflict, fought largely between Catholics and Protestants, which resulted in 8 million deaths. After this brief meeting, Peter and Hans are riven apart, but neither forgets the encounter. The novel then revisits them in 1629, when they’re both in their late 20s. Peter is now married and has become an influential, charismatic assistant pastor in Magdeburg, Germany. He’s also caught the eye of Anna Ritter, a feisty peasant girl. Hans, meanwhile, is a cavalry major in the Catholic Imperial Army, planning to besiege and conquer the city where Peter and Anna live. How will Peter and Hans’ fleeting encounter as kids determine the future of Magdeburg? And how will Anna shape their fates? This is a dazzling historical novel in which fictional and real-life historical characters, including Lutheran administrator Christian Wilhelm, intermingle seamlessly. Surprisingly few novels are set during the Thirty Years’ War, which will be obscure to most Americans. Gardner ably breathes life into these characters, though, and part of this talent lies in how he creates realistic, thought-provoking interplay between them all. A tantalizing example is when Peter delivers a sermon and is afterward approved to the cathedral council; Wilhelm observes the sermon, scowling, and later approaches Peter to offer insincere praise: “My compliments to you, young man. Your delivery was thorough and clear, the tone pleasant, and the content was for the most part quite edifying.” He then turns on his heel to leave but checks back, his demeanor changing, and he soon proceeds to critically dismantle Peter’s sermon: “you’re going beyond your station as a pastor when you hint at your personally preferred solutions to complex political issues.” Throughout the novel, Gardner is repeatedly able to accurately reflect subtle shifts in his characters’ emotions—in this case, Wilhelm’s biting capriciousness—by employing elegant, cutting, well-timed dialogue. He combines this with a plot that burns with suspense, intrigue, and passion, bolstered by thorough historical research. The end result is a compelling page-turner that won’t allow readers to rest before they reach the final page. Overall, this is a sharply written offering that’s thrilling and shocking in equal measures.

A gripping novel that effectively captures the predicaments of those caught up in one of history’s bloodiest wars.

Pub Date: June 1, 2018

ISBN: 978-0-9998811-2-5

Page Count: 630

Publisher: Zino Publishing

Review Posted Online: May 2, 2018

Kirkus Reviews Issue: June 1, 2018

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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