The Iceland in this fable is one in which the village women are in cahoots with their farm animals and able to plant and protect beautiful trees in order to stop the wild wind that makes it hard to walk. The charming folk-art illustrations show that the women’s greatest helpers are the rather self-satisfied-looking hens. Initial attempts to grow trees are unsuccessful because of the fierce winds and some obstructive sheep. While the chickens are most helpful by producing a multitude of fertilizer, the sheep eat and kill the trees. So the ladies ask the cows to distract the sheep. Things seem to be working, although the chickens can be a little too prolific in their production of fertilizer. Fortunately, said fertilizer is so strong that it keeps the animals away. So long as the descendants of these smart ladies sing to the chickens, the trees are fertilized and the houses are protected from the fury of the wind. Gunnella is especially talented at showing humor and quirky characterization in her paintings. She demonstrates the wind by showing animals and people hanging up in the air at a distinctive tilt. The homey tale combined with the folksy, funny illustrations makes for an extremely winning combination. (Picture book. 3-8)
Pub Date: Sept. 24, 2007
ISBN: 978-0-618-77330-5
Page Count: 32
Publisher: Walter Lorraine/Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 2007
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
What if the market was closed when you wanted to bake a pie? You could embark for Europe, learn Italian en route, and pick up some semolina wheat in Italy, an egg in France, kurundu bark for cinnamon in Sri Lanka, and an entire cow in England (butter) before coming home via Jamaica (sugar) and Vermont (apples). The expertly designed illustrations in which a dark-haired lass journeys by various means to these interesting places to get her groceries are lovely and lively, and the narrative, too, travels at a spritely pace. The journey is neither quite logical enough to be truly informative nor quite bizarre enough to be satisfyingly silly, while the rich, sweet recipe that's appended will take some adult assistance. Still, fun. (Picture book. 4-8)
Pub Date: May 2, 1994
ISBN: 0-679-83705-1
Page Count: 32
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 1994
Though told by two outsiders to the culture, this timely and well-crafted story will educate readers on the preciousness of...
An international story tackles a serious global issue with Reynolds’ characteristic visual whimsy.
Gie Gie—aka Princess Gie Gie—lives with her parents in Burkina Faso. In her kingdom under “the African sky, so wild and so close,” she can tame wild dogs with her song and make grass sway, but despite grand attempts, she can neither bring the water closer to home nor make it clean. French words such as “maintenant!” (now!) and “maman” (mother) and local color like the karite tree and shea nuts place the story in a French-speaking African country. Every morning, Gie Gie and her mother perch rings of cloth and large clay pots on their heads and walk miles to the nearest well to fetch murky, brown water. The story is inspired by model Georgie Badiel, who founded the Georgie Badiel Foundation to make clean water accessible to West Africans. The details in Reynolds’ expressive illustrations highlight the beauty of the West African landscape and of Princess Gie Gie, with her cornrowed and beaded hair, but will also help readers understand that everyone needs clean water—from the children of Burkina Faso to the children of Flint, Michigan.
Though told by two outsiders to the culture, this timely and well-crafted story will educate readers on the preciousness of potable water. (Picture book. 5-8)Pub Date: Sept. 13, 2016
ISBN: 978-0-399-17258-8
Page Count: 40
Publisher: Putnam
Review Posted Online: May 17, 2016
Kirkus Reviews Issue: June 1, 2016
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