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BLOW

HOW A SMALL-TOWN BOY MADE $100 MILLION WITH THE MEDELL°N COCAINE CARTEL AND LOST IT ALL

The up-your-nose, in-your-face life of George Jung, the high-school football star from small-town USA who became the American linchpin of the Colombian cocaine connection. Relying on extensive interviews with Jung and other key figures, Porter (Journalism/Brooklyn College) recounts a sleigh- ride-to-hell story of how 60's hippie innocence turned into 80's megadepravity. Porter dwells too long on Jung's unexceptional childhood (poor grades, risk-taking, shaky family life) but picks up steam when his subject comes of age—as a likable, handsome, well-muscled hedonist—and takes off for California and a haze of sunbathing, sex, pot, and LSD. Soon enough, Jung becomes chief marijuana importer to a number of prestigious East Coast colleges. Likening himself to Butch Cassidy, he moves his operation to Mexico and makes a mint until a series of busts stops him—temporarily. In prison, Jung befriends a young Carlos Lehder and links up with the Medell°n coke cartel. The money bandied about is staggering: The Colombian suppliers gross $35 billion a year, and Jung buys a house just to stash his cash (lining floors and walls with $100 bills): ``Money, Learjets, fast cars, wild women, houses with maids,'' is how he recalls it later. Inevitably, the roller-coaster hits the steep downward slope: paranoia, as Jung snorts mountains of coke; a heart attack in his mid-30s; a car-bomb attack by Lehder, by now a business enemy; scary trips to Colombia, during one of which Jung watched coke czar Pablo Escobar execute a police informer; a flurry of arrests and escapes; finally, the Big Bust. But, as always, Jung comes out unscathed, turning state's witness (with Escobar's approval) to sing against Lehder. Set scot-free in exchange for his testimony, Jung now works in a legit delivery service, transporting fish up and down Cape Cod. How a happy hippie blew it on blow—finely researched, told with pizzazz. (Illustrations)

Pub Date: June 30, 1993

ISBN: 0-06-017930-9

Page Count: 320

Publisher: HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 1993

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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I AM OZZY

An autobiography as toxic and addictive as any drug its author has ever ingested.

The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.

Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.

An autobiography as toxic and addictive as any drug its author has ever ingested.

Pub Date: Jan. 25, 2010

ISBN: 978-0-446-56989-7

Page Count: 320

Publisher: Grand Central Publishing

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2009

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