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BLOW

HOW A SMALL-TOWN BOY MADE $100 MILLION WITH THE MEDELL°N COCAINE CARTEL AND LOST IT ALL

The up-your-nose, in-your-face life of George Jung, the high-school football star from small-town USA who became the American linchpin of the Colombian cocaine connection. Relying on extensive interviews with Jung and other key figures, Porter (Journalism/Brooklyn College) recounts a sleigh- ride-to-hell story of how 60's hippie innocence turned into 80's megadepravity. Porter dwells too long on Jung's unexceptional childhood (poor grades, risk-taking, shaky family life) but picks up steam when his subject comes of age—as a likable, handsome, well-muscled hedonist—and takes off for California and a haze of sunbathing, sex, pot, and LSD. Soon enough, Jung becomes chief marijuana importer to a number of prestigious East Coast colleges. Likening himself to Butch Cassidy, he moves his operation to Mexico and makes a mint until a series of busts stops him—temporarily. In prison, Jung befriends a young Carlos Lehder and links up with the Medell°n coke cartel. The money bandied about is staggering: The Colombian suppliers gross $35 billion a year, and Jung buys a house just to stash his cash (lining floors and walls with $100 bills): ``Money, Learjets, fast cars, wild women, houses with maids,'' is how he recalls it later. Inevitably, the roller-coaster hits the steep downward slope: paranoia, as Jung snorts mountains of coke; a heart attack in his mid-30s; a car-bomb attack by Lehder, by now a business enemy; scary trips to Colombia, during one of which Jung watched coke czar Pablo Escobar execute a police informer; a flurry of arrests and escapes; finally, the Big Bust. But, as always, Jung comes out unscathed, turning state's witness (with Escobar's approval) to sing against Lehder. Set scot-free in exchange for his testimony, Jung now works in a legit delivery service, transporting fish up and down Cape Cod. How a happy hippie blew it on blow—finely researched, told with pizzazz. (Illustrations)

Pub Date: June 30, 1993

ISBN: 0-06-017930-9

Page Count: 320

Publisher: HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 1993

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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