A poetic collage of emotion and purpose and a vibrant testament to the power of music.
Sometimes something unexpected can guide us away from the darkest parts of ourselves into a magnificent, glorious light.
Collier delivers a visually arresting tale as simple as a peanut-butter–and-jelly sandwich yet more layered than an opera cake. A young Black boy loves his mama and daddy, and they love him right back. But the boy’s mother becomes ill, and he feels lonely. Trouble beckons in the form of friends encouraging him to accompany them as they make mischief, but each time, music somehow finds him and sets him on the right path—he overhears a young girl playing the piano, is swept up in the swells of a powerful score at the movies, and finally discovers a piano. Using stunning panels that combine rich watercolors with collage, Collier has created a character whose facial expressions and body language tell the whole story—his joy, anxiety, and promise. The author/illustrator captures that little voice inside us all, the one that calls out when we see something breathtaking. The use of light and color is superb—music is a radiant, swirling rainbow that leads the boy out of the shadows. Collier writes in an author’s note that he was inspired by Maya Angelou, Robert Frost’s “The Road Not Taken,” and Quincy Jones. (This book was reviewed digitally.)
A poetic collage of emotion and purpose and a vibrant testament to the power of music. (Picture book. 5-10)Pub Date: June 7, 2022
ISBN: 978-0-316-53742-1
Page Count: 48
Publisher: Little, Brown
Review Posted Online: May 10, 2022
Kirkus Reviews Issue: June 1, 2022
It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists.
How to raise money for a coveted poster: put your friends to work!
John, founder of the FUBU fashion line and a Shark Tank venture capitalist, offers a self-referential blueprint for financial success. Having only half of the $10 he needs for a Minka J poster, Daymond forks over $1 to buy a plain T-shirt, paints a picture of the pop star on it, sells it for $5, and uses all of his cash to buy nine more shirts. Then he recruits three friends to decorate them with his design and help sell them for an unspecified amount (from a conveniently free and empty street-fair booth) until they’re gone. The enterprising entrepreneur reimburses himself for the shirts and splits the remaining proceeds, which leaves him with enough for that poster as well as a “brand-new business book,” while his friends express other fiscal strategies: saving their share, spending it all on new art supplies, or donating part and buying a (math) book with the rest. (In a closing summation, the author also suggests investing in stocks, bonds, or cryptocurrency.) Though Miles cranks up the visual energy in her sparsely detailed illustrations by incorporating bright colors and lots of greenbacks, the actual advice feels a bit vague. Daymond is Black; most of the cast are people of color. (This book was reviewed digitally.)
It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists. (Picture book. 7-9)Pub Date: March 21, 2023
ISBN: 978-0-593-56727-2
Page Count: 40
Publisher: Random House
Review Posted Online: Dec. 13, 2022
Kirkus Reviews Issue: Jan. 1, 2023
The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted...
Reinvention is the name of the game for two blobs of clay.
A blue-eyed gray blob and a brown-eyed brown blob sit side by side, unsure as to what’s going to happen next. The gray anticipates an adventure, while the brown appears apprehensive. A pair of hands descends, and soon, amid a flurry of squishing and prodding and poking and sculpting, a handsome gray wolf and a stately brown owl emerge. The hands disappear, leaving the friends to their own devices. The owl is pleased, but the wolf convinces it that the best is yet to come. An ear pulled here and an extra eye placed there, and before you can shake a carving stick, a spurt of frenetic self-exploration—expressed as a tangled black scribble—reveals a succession of smug hybrid beasts. After all, the opportunity to become a “pig-e-phant” doesn’t come around every day. But the sound of approaching footsteps panics the pair of Picassos. How are they going to “fix [them]selves” on time? Soon a hippopotamus and peacock are staring bug-eyed at a returning pair of astonished hands. The creative naiveté of the “clay mates” is perfectly captured by Petty’s feisty, spot-on dialogue: “This was your idea…and it was a BAD one.” Eldridge’s endearing sculpted images are photographed against the stark white background of an artist’s work table to great effect.
The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted fun of their own . (Picture book. 5-8)Pub Date: June 20, 2017
ISBN: 978-0-316-30311-8
Page Count: 40
Publisher: Little, Brown
Review Posted Online: March 28, 2017
Kirkus Reviews Issue: April 15, 2017
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