Heady, madcap fun in a sequel that surpasses the original.


From the Savage Saga series , Vol. 2

In the second installment of Roberts’ (Ed Savage and the Savage Murders Trilogy, 2016) thriller series, the Savage family confronts kidnappers and salacious rumors.

After the events of the last novel, wealthy intelligence operative and TV star Ed Savage and his family members are recovering from the loss of loved ones. One of those lost is Cara Vanderran Savage, Ed’s sister-in-law; her sister, Zolie Vanderran, seeks closure at the Vreeland Hills Sanatorium, where she hopes to speak to one of the inmates responsible for Cara’s death. Unfortunately, Dr. Stanley Sinardi works there, and he has a grudge against Ed for stealing the spotlight on Stan’s reality TV series, Phantom Finders, and later pitting his own show against Stan’s. Later, when Ed and other Savages go looking for Zolie, they face not only Stan, but another deadly doctor who took her captive. Ed’s troubles only escalate after someone abducts two of his nieces; an interviewer blindsides him with an allegation of “sick sex games”; and an old case of his resurfaces following the discovery of warheads from a missing submarine. Meanwhile, Ed’s wife, Marlo, who’s preparing to be on the reality show Tycoon Wives, gets distressing news that could destroy the couple’s marriage, and a subsea earthquake triggers a tsunami that puts multiple Savage family members in peril. Clearly, Roberts packs his frenzied novel with numerous subplots and characters. His ability to manage them all is most impressive, and he makes the relationships between the many players abundantly clear. (That said, it is recommended that readers first tackle Volume 1 in order to understand relevant references.) Likewise, the author bounces around various plotlines with ease; for instance, he effectively establishes the creepiness of the hospital before Ed and company stroll its corridors. The story dabbles in multiple genres, including action and horror, and the family drama could have filled a book on its own. The end result is a dizzying ride, and readers will doubtlessly anticipate the Savages’ third go-round.

Heady, madcap fun in a sequel that surpasses the original.

Pub Date: Oct. 29, 2017

ISBN: 978-0-692-90388-9

Page Count: 608

Publisher: Savage Roberts Publishing

Review Posted Online: Jan. 29, 2018

Kirkus Reviews Issue: March 1, 2018

Did you like this book?

No Comments Yet

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...


Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Jan. 15, 2001

Did you like this book?

No Comments Yet

Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

Reader Votes

  • Readers Vote
  • 34

Our Verdict

  • Our Verdict
  • GET IT

  • Kirkus Reviews'
    Best Books Of 2020

  • New York Times Bestseller

  • IndieBound Bestseller


Inseparable identical twin sisters ditch home together, and then one decides to vanish.

The talented Bennett fuels her fiction with secrets—first in her lauded debut, The Mothers (2016), and now in the assured and magnetic story of the Vignes sisters, light-skinned women parked on opposite sides of the color line. Desiree, the “fidgety twin,” and Stella, “a smart, careful girl,” make their break from stultifying rural Mallard, Louisiana, becoming 16-year-old runaways in 1954 New Orleans. The novel opens 14 years later as Desiree, fleeing a violent marriage in D.C., returns home with a different relative: her 8-year-old daughter, Jude. The gossips are agog: “In Mallard, nobody married dark....Marrying a dark man and dragging his blueblack child all over town was one step too far.” Desiree's decision seals Jude’s misery in this “colorstruck” place and propels a new generation of flight: Jude escapes on a track scholarship to UCLA. Tending bar as a side job in Beverly Hills, she catches a glimpse of her mother’s doppelgänger. Stella, ensconced in White society, is shedding her fur coat. Jude, so Black that strangers routinely stare, is unrecognizable to her aunt. All this is expertly paced, unfurling before the book is half finished; a reader can guess what is coming. Bennett is deeply engaged in the unknowability of other people and the scourge of colorism. The scene in which Stella adopts her White persona is a tour de force of doubling and confusion. It calls up Toni Morrison’s The Bluest Eye, the book's 50-year-old antecedent. Bennett's novel plays with its characters' nagging feelings of being incomplete—for the twins without each other; for Jude’s boyfriend, Reese, who is trans and seeks surgery; for their friend Barry, who performs in drag as Bianca. Bennett keeps all these plot threads thrumming and her social commentary crisp. In the second half, Jude spars with her cousin Kennedy, Stella's daughter, a spoiled actress.

Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

Pub Date: June 2, 2020

ISBN: 978-0-525-53629-1

Page Count: 352

Publisher: Riverhead

Review Posted Online: March 15, 2020

Kirkus Reviews Issue: April 1, 2020

Did you like this book?