An addictive tale with drama, history, and delightful protagonists.
Jungle critters, diamond smugglers, murder, and three indomitable women propel this early-19th-century historical adventure.
It is 1809, one year after the entire Portuguese Royal Court escaped Napoleon’s army and relocated to Rio de Janeiro. The grand house of a viceroy has been turned into a temporary palace while Prince João, the heir apparent, builds his new royal home outside the city. Behind the palace is a convent that is home to the reigning monarch, Queen Maria I (the “Mad Queen”). Although the court’s arrival has brought new excitement to Rio, it has also resulted in unwelcome changes to the city that is home to Maria Azevedo, a free Black woman, and her younger, adopted sister, Isabel, an Indigenous Guarani. Maria is captain of a mule train that transports crates of gold from the mines in Minas Gerais to a bank in Rio. The team is waiting to register the gold at the Rio Customs office when two members of the Royal Guard harass the group (“They weren’t soldiers, and there was nothing royal about them”). Known as “Bats” because of their long, black, flapping coats, this violent, ad hoc police force was established to “civilize” the locals. The military intervenes, but the sisters’ trouble with the Bats has just begun. Later that evening, the sisters rescue a young woman under attack by a band of hoodlums, thus meeting Victoria Cruz, a Portuguese attendant to the queen. It is the beginning of a formidable friendship that adds extra intrigue to this high-octane escapade/thriller/murder mystery. Barineau’s Rio romp, packed with intriguing and occasionally disturbing historical tidbits, is lightened with a generous dose of humor. The racially and culturally diverse female protagonists are drawn vividly, with the portraits reflecting their unique personalities and abilities. Detail-oriented Maria is fiercely protective and a demon with her whip; spirited, impetuous Isabel, with her ever present assortment of knives secreted under her skirt, relishes a good fight; and the refined, initially timid Victoria turns out to be an expert with a sword. The author captures the sights, smells, sounds, and complicated social structure of Rio while maintaining a steady pace of well-scripted action scenes that, while over-the-top, are thoroughly enjoyable.
An addictive tale with drama, history, and delightful protagonists.Pub Date: Nov. 22, 2022
ISBN: 978-1-949935-47-9
Page Count: 368
Publisher: Orange Blossom Publishing
Review Posted Online: Oct. 26, 2022
Review Program: Kirkus Indie
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
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