An insightful, graceful read that’s slightly overextended.
In Bahuguna’s debut novel, a girl comes to terms with childhood abuse through love, education and family.
A stream-of-consciousness prologue opens this novel with questions about life, God and the meaning of everything. It’s a move that places the reader squarely inside Nargis’ fraught existence. Exactly what’s wrong isn’t clear, but it’s obvious she’s suffering mental and physical distress. Bahuguna uses that entree to segue into Nargis’ difficult story—from a childhood in India in the ’60s, schooling, falling in love, a bout with tuberculosis, a subsequent stay in a sanatorium in Russia and raising a family in a Chicago suburb. The path this endearing narrator takes is filled with bumps. The main issue, though, is Nargis’ relationship with her father. Bahuguna writes: “Daddy would call all the shots in the family: How we should be educated, what language we should speak, how we should behave, and how we should think. And also, how we must dream. He would even decide our relationship with God.” Over the course of several years, he would also molest Nargis. As a way to heal, she not only moves away, she writes an account of her entire life, which takes form as this novel. “As you can understand, I have been hesitant about telling my story, at the risk of remorse over self-disclosure and the agony of feeling the pain again. But nothing can stop me now.” It’s a difficult story, but one that is well-told. Nargis is a relatable character and Bahuguna approaches her plight with grace and sympathy. The supporting cast—her father, mother, siblings and boyfriend—is well-drawn, and the family drama that ensues is efficiently handled. Bahuguna notes that she, too, has lived in India, Russia and Chicago, and she’s able to colorfully develop each setting. In the introduction, she writes that her work as a psychiatrist inspired her to create Nargis as a composite fictional character, with the goal of enhancing “the awareness of abuse issues.” That background information, which complements years of Nargis’ back story, would be better suited as a postscript, though, so the reader could approach the text from Nargis’ perspective. Bahuguna’s evocative prose is also peppered with references to pop culture, Indian terms (a glossary appears at the end) and flowery but appropriate language.
An insightful, graceful read that’s slightly overextended.Pub Date: March 15, 2013
ISBN: 9780985422219
Page Count: 447
Publisher: Drona Productions
Review Posted Online: Aug. 6, 2012
Kirkus Reviews Issue: Sept. 1, 2012
Review Program: Kirkus Indie
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.
A chance meeting in a museum unlocks a long-closed door in a family’s past.
Of a piece with her last three novels—Commonwealth (2016), The Dutch House (2019), and Tom Lake (2023)—Patchett’s latest explores the evolution of families over time, romantic secrets, and step-relationships, again giving these topics the wry and tender treatment that is distinctively hers. As it begins, Daphne Fuller’s attentive husband, Jonathan, notices that a man has been following them through the Metropolitan Museum of Art. At first they chalk it up to the fact that “old guys love [Daphne],” as she told Jonathan decades ago, a notion he has held onto "like a souvenir postcard from another era." But it turns out that, though Daphne doesn’t recognize him, Eddie Triplett is her former stepfather. Like the author herself, as recalled in her 2020 essay “Three Fathers,” Daphne has had three dads. Her biological father, a deep-sea fisherman named Buddy Zabriskie, left the family early; her current stepfather, Lucas Ekker, lives with her mother in retirement in Massachusetts. Ekker is an unprepossessing sort Abby met working as the publicist for his self-help books, Positivity!, Positively Positive!, The Positivity Workbook!, Positive Every Day!, ad infinitum. The man in the museum, Eddie Triplett, was also someone her mother met through her job in publishing, and once Daphne realizes who he is, she remembers that “[their] hearts were forever stitched together.” This is because Daphne and Eddie were in a serious car accident when she was 9 years old, after which her mother immediately divorced him and evicted him from their lives. The details of that accident—among them lies the reason the novel is named after a horse called Whistler—are gradually wheedled out of Daphne by her younger sister, Leda, a clinical psychologist in New York and a reliable source of insight on the narrative’s key issues. “‘You make it sound like I’ve been keeping all this from you, but I’m not,’ [Daphne] said. ‘Who goes through life thinking about what happened when they were nine?’ ‘It’s all people think about,’ Leda said.”
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.Pub Date: June 2, 2026
ISBN: 9780063511637
Page Count: 304
Publisher: Harper/HarperCollins
Review Posted Online: April 6, 2026
Kirkus Reviews Issue: May 1, 2026
PERSPECTIVES
PERSPECTIVES
SEEN & HEARD
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
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