by C. E. Wilcox ‧ RELEASE DATE: Dec. 9, 2010
A precisely written, enthusiastic thriller that definitely hits its mark
First-time author Wilcox’s thriller follows a former Marine sniper who attempts to solve his financial misfortunes by offering his services as a hit man.
Honorably discharged, Sgt. Oscar Wylton comes home to find his estranged wife remarried; she’s also legally booted him from the company he helped create. Despite his degree and experience, Oscar’s job search is fruitless. So he opts to go into business for himself, utilizing his military training as a hired assassin. Oscar stealthily contacts a troubled woman who could use his assistance, and she accepts his proposal. A successful hit breeds a generous payoff—and a contract referral. Several scenes illustrate the sergeant’s experience in Afghanistan, covertly trekking across the terrain at night. These passages are wrought with anticipation—and shrewd foreshadowing for the assassinations. Parts of the novel feel like shorter stories—Oscar’s saving a young girl in Afghanistan or his mission eliminating Serbian snipers. But this only engenders further sympathy for Oscar, who’s burdened with guilt for killing innocents to avoid capture or detection. Some aspects of Oscar’s life are a little too convenient: His children are flawless; clients send payments with gushing letters and unsolicited bonuses; and his sexual trysts are too easy, including a memorable one with the assistant who is simply passing time while waiting to speak with an arms supplier. Suspense, however, is derived from exhilarating sequences involving hits that rarely go off without a hitch; one narrow escape ends with Oscar hiding in the ceiling of a public restroom for several days, only coming down for water, use of the facilities and a shave. Additional highlights include the roller-coaster relationship between Oscar and his ex-wife, whose messages range from courteous to expletive-laden, and the always-appreciated dry humor: his decision to not “argue” with a large handgun pointed in his direction and the receptionist who offers Oscar coffee, tea, “but definitely not her.”
A precisely written, enthusiastic thriller that definitely hits its markPub Date: Dec. 9, 2010
ISBN: 978-1450257817
Page Count: 260
Publisher: iUniverse
Review Posted Online: Aug. 23, 2012
Review Program: Kirkus Indie
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by Dan Brown ‧ RELEASE DATE: Sept. 9, 2025
A standout in the series.
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New York Times Bestseller
The sixth adventure of Harvard symbology professor Robert Langdon explores the mysteries of human consciousness, the demonic projects of the CIA, and the city of Prague.
“Ladies and gentlemen...we are about to experience a sea change in our understanding of how the brain works, the nature of consciousness, and in fact…the very nature of reality itself.” But first—Langdon’s in love! Brown’s devoted readers first met brilliant noetic scientist Katherine Solomon in The Lost Symbol (2009); she’s back as a serious girlfriend, engaging the committed bachelor in a way not seen before. The book opens with the pair in a luxurious suite at the Four Seasons in Prague. It’s the night after Katherine has delivered the lecture quoted above, setting the theme for the novel, which features a plethora of real-life cases and anomalies that seem to support the notion that human consciousness is not localized inside the human skull. Brown’s talent for assembling research is also evident in this novel’s alter ego as a guidebook to Prague, whose history and attractions are described in great and glowing detail. Whether you appreciate or skim past the innumerable info dumps on these and other topics (Jewish folklore fans—the Golem is in the house!), it goes without saying that concision is not a goal in the Dan Brown editing process. Speaking of editing, the nearly 700-page book is dedicated to Brown’s editor, who seems to appear as a character—to put it in the italicized form used for Brownian insight, Jason Kaufman must be Jonas Faukman! A major subplot involves the theft of Katherine’s manuscript from the secure servers of Penguin Random House; the delightful Faukman continues to spout witty wisecracks even when blindfolded and hogtied. There’s no shortage of action, derring-do, explosions, high-tech torture machines, attempted and successful murders, and opportunities for split-second, last-minute escapes; good thing Langdon, this aging symbology wonk, never misses swimming his morning laps. Readers who are not already dyed-in-the-wool Langdonites may find themselves echoing the prof’s own conclusion regarding the credibility of all this paranormal hoo-ha: At some point, skepticism itself becomes irrational.
A standout in the series.Pub Date: Sept. 9, 2025
ISBN: 9780385546898
Page Count: 688
Publisher: Doubleday
Review Posted Online: Sept. 9, 2025
Kirkus Reviews Issue: Nov. 1, 2025
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SEEN & HEARD
by Alex Michaelides ‧ RELEASE DATE: Feb. 5, 2019
Amateurish, with a twist savvy readers will see coming from a mile away.
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New York Times Bestseller
IndieBound Bestseller
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
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