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THE SERPENT'S GAME

Name: THE SERPENT'S GAME
Author: A.C. Frieden
ISBN: 978-0974793443

by A.C. Frieden ‧ RELEASE DATE: Dec. 1, 2013

Frieden has churned out a solid espionage novel that respectfully employs a real-world tragedy to great effect.

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In Frieden’s (Tranquility Denied, 2007, etc.) second Jonathan Brooks thriller, the maritime lawyer, looking into a mysterious drowning, finds himself in the midst of competing international spies and agencies.

It’s August 2005, and Hurricane Katrina is making its way to New Orleans. Jonathan Brooks, skeptical of the impending storm, is slow to evacuate, but soon has good reason for his delay: Mariya, a dangerous Russian spy who helped Jonathan a decade ago, has asked him to check the morgue for her nephew, Igor, who supposedly drowned. A deceased Asian man there is clearly not related to the Russian woman, although the attorney, for reasons not entirely apparent, falsely identifies the body. But as Katrina lays siege to New Orleans, Jonathan is stuck inside the Crescent City before he can get any info to the Russian woman. It’s abundantly clear that a coverup has begun when Jonathan and the pathologist, who’ve deduced that the corpse was a crewman, are attacked by unknown assailants. Jonathan finds the vessel on which the dead man may have been stationed, and he and Mariya head to Panama on a mission so covert that even Mariya isn’t entirely aware of the details—but she knows that something is making the Russians nervous. The author has concocted a labyrinthine but diverting spy story; various players—Mossad, North Korea and a couple of CIA assets—are given airtime, but their involvement isn’t wholly clarified until the end. Jonathan is the focus, and his story, with Hurricane Katrina filling the first half of the novel, is first-rate. The real-world setting is resounding, particularly because Katrina is palpable; its “gusts of wind” and sky “an ominous charcoal hue” are early signs of the inevitable devastation to follow. The novel’s latter half sustains an overall uneasiness by an uncertainty surrounding Mariya; Jonathan never fully trusts her. The Russians, meanwhile, have lost a few agents, and Jonathan helps them, paving the way for his more active role in the frenetic action sequences. But none of the gunfights or villains is a match for Hurricane Katrina. The storm renders an entire city helpless.

Frieden has churned out a solid espionage novel that respectfully employs a real-world tragedy to great effect.

Pub Date: Dec. 1, 2013

ISBN: 978-0974793443

Page Count: 468

Publisher: Avendia Publishing

Review Posted Online: May 10, 2014

Review Program: Kirkus Indie

Categories:

GENERAL FICTION

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DISTANT SHORES

by Kristin Hannah ‧ RELEASE DATE: July 1, 2002

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...

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Another middle-aged mom in a muddle.

After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).

Pub Date: July 1, 2002

ISBN: 0-345-45071-X

Page Count: 352

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2002

Categories:

GENERAL FICTION

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TO KILL A MOCKINGBIRD

by Harper Lee ‧ RELEASE DATE: July 11, 1960

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A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.