An exhilarating third installment of a consistently unpredictable and entertaining thriller series.
A seemingly rudimentary business deal in Ukraine turns into a fight for survival for a New Orleans attorney in this novel.
In the aftermath of Hurricane Katrina, Jonathan Brooks’ law firm is all but destroyed, and his two partners are “nowhere to be found.” But he has at least one remaining client, Cramer Banks, who has a job offer for Jonathan. It’s a software-related deal in Kyiv, Ukraine; as Jonathan doesn’t know the tech, Cramer also sends his chief technology officer, Kevin Wyatt. Surprisingly, Kevin is a no-show at the meeting in Kyiv. Jonathan soon finds evidence that Kevin made it to the airport, where someone likely kidnapped him. Accordingly, Cramer asks the lawyer to track down his esteemed CTO (and keeps Jonathan on the payroll). The reason for Kevin’s abduction isn’t initially evident, but it may be his past association with a government agency. Luckily, Jonathan has help, including someone from the Romanian Embassy. But his search for Kevin ultimately puts him in the cross hairs of menacing individuals. Meanwhile, Jonathan’s beloved ex-wife, Linda Fabre, on a journalism assignment in North Korea, is in potential danger as well, and he believes those targeting him will take her for leverage. In this third volume of a series, Frieden’s (The Serpent’s Game, 2013, etc.) protagonist remains a fresh, convincing character. For example, his involvement in international espionage is believable, and his enduring love for Linda is admirable, even if she doesn’t reciprocate. The plot sometimes feels convoluted, as Jonathan tries to identify villains and motivations (though readers learn a bit more information than the attorney). But it precipitates a few memorable set pieces, particularly Jonathan and his allies in the abandoned town of Pripyat, site of the Chernobyl disaster. The author aptly describes Pripyat’s desolation, from an empty bus-stop bench to “uncut yellow-green fields.” The often intense story is rife with characters in captivity, shocking deaths, and an ending that’s sure to linger in readers’ minds.
An exhilarating third installment of a consistently unpredictable and entertaining thriller series.Pub Date: March 29, 2019
ISBN: 978-0-9747934-8-1
Page Count: 468
Publisher: Avendia Publishing
Review Posted Online: April 12, 2019
Review Program: Kirkus Indie
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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