Though the heroine is very nearly surpassed by the story’s preternatural elements, her anomaly, even among the creatures,...
Wittchen’s debut fantasy, the first in a planned series, follows a teenage girl with the ability to see fairies as she finds her birth father as well as her origin in a world of demons and supernatural beings.
Tempest Laurier knows she’s not a typical 17-year-old: She can see faeries of varying sizes when seemingly no one else can, and she somehow knows that a miasma (“natural energy”) within her adoptive father’s necklace has possessed the man, precipitating his uncharacteristically abusive behavior toward her. When she wanders into the Unseelie Court, the darkest part of the land of Faerie, she encounters Cormac, the Black Knight, who tells her that she’s a halfling and the granddaughter of Marquis, the king of the Unseelie Court. Also, her biological father, she learns, is Kione, the Dark King of the demons. As Tempest slowly develops powers, including the “black flame” that leaves even demons in awe, she doesn’t know who to trust: Cormac is protective of her, but Marquis apparently wants her dead; Kione is keeping secrets from her; and the demons try to convince Tempest that Declan, the boy she’s fallen for, is duplicitous. The author’s novel has a jarring style with sudden transitions among numerous scenes, befitting of Tempest’s aberrant perspective. In a memorable scene, for instance, she stands outside Declan’s condo door as he speaks to other people, and she hears Declan begin a statement that he finishes by sending her a text. In her unnerving visions she sees ghostly figures or creatures that converse with her; sometimes, she sees events, such as a horrific scene with her Pomeranian, Cupcake, that haven’t actually happened. Wittchen fills the pages with fantastical beings beyond faeries and demons—a lycanthrope, a vampire, a witch—few of whom are heavily featured in this story, though they will likely return in a future entry in the series. Tempest may lose a bit of sympathy by succumbing to the immaturity suitable to her age: She slams her bedroom door and rolls her eyes repeatedly, and despite constant threats to her life, she parties quite a lot, usually at a club called the Slaughter House. But the series should give her ample room to grow, and a girl shrewd enough to acknowledge that the reason she quips is to disguise her fear—“Sometimes it’s easier to joke about things then admit that I was scared”—is already on her way.
Though the heroine is very nearly surpassed by the story’s preternatural elements, her anomaly, even among the creatures, will have readers hooked.Pub Date: Jan. 13, 2014
ISBN: 978-1494943899
Page Count: 434
Publisher: CreateSpace
Review Posted Online: April 17, 2014
Review Program: Kirkus Indie
A breezy and fun contemporary fantasy.
A tightly wound caseworker is pushed out of his comfort zone when he’s sent to observe a remote orphanage for magical children.
Linus Baker loves rules, which makes him perfectly suited for his job as a midlevel bureaucrat working for the Department in Charge of Magical Youth, where he investigates orphanages for children who can do things like make objects float, who have tails or feathers, and even those who are young witches. Linus clings to the notion that his job is about saving children from cruel or dangerous homes, but really he’s a cog in a government machine that treats magical children as second-class citizens. When Extremely Upper Management sends for Linus, he learns that his next assignment is a mission to an island orphanage for especially dangerous kids. He is to stay on the island for a month and write reports for Extremely Upper Management, which warns him to be especially meticulous in his observations. When he reaches the island, he meets extraordinary kids like Talia the gnome, Theodore the wyvern, and Chauncey, an amorphous blob whose parentage is unknown. The proprietor of the orphanage is a strange but charming man named Arthur, who makes it clear to Linus that he will do anything in his power to give his charges a loving home on the island. As Linus spends more time with Arthur and the kids, he starts to question a world that would shun them for being different, and he even develops romantic feelings for Arthur. Lambda Literary Award–winning author Klune (The Art of Breathing, 2019, etc.) has a knack for creating endearing characters, and readers will grow to love Arthur and the orphans alongside Linus. Linus himself is a lovable protagonist despite his prickliness, and Klune aptly handles his evolving feelings and morals. The prose is a touch wooden in places, but fans of quirky fantasy will eat it up.
A breezy and fun contemporary fantasy.Pub Date: March 17, 2020
ISBN: 978-1-250-21728-8
Page Count: 352
Publisher: Tor
Review Posted Online: Nov. 10, 2019
Kirkus Reviews Issue: Dec. 1, 2019
PERSPECTIVES
A celebration of fantasy that melds modern ideology with classic tropes. More of these dragons, please.
After 1,000 years of peace, whispers that “the Nameless One will return” ignite the spark that sets the world order aflame.
No, the Nameless One is not a new nickname for Voldemort. Here, evil takes the shape of fire-breathing dragons—beasts that feed off chaos and imbalance—set on destroying humankind. The leader of these creatures, the Nameless One, has been trapped in the Abyss for ages after having been severely wounded by the sword Ascalon wielded by Galian Berethnet. These events brought about the current order: Virtudom, the kingdom set up by Berethnet, is a pious society that considers all dragons evil. In the East, dragons are worshiped as gods—but not the fire-breathing type. These dragons channel the power of water and are said to be born of stars. They forge a connection with humans by taking riders. In the South, an entirely different way of thinking exists. There, a society of female mages called the Priory worships the Mother. They don’t believe that the Berethnet line, continued by generations of queens, is the sacred key to keeping the Nameless One at bay. This means he could return—and soon. “Do you not see? It is a cycle.” The one thing uniting all corners of the world is fear. Representatives of each belief system—Queen Sabran the Ninth of Virtudom, hopeful dragon rider Tané of the East, and Ead Duryan, mage of the Priory from the South—are linked by the common goal of keeping the Nameless One trapped at any cost. This world of female warriors and leaders feels natural, and while there is a “chosen one” aspect to the tale, it’s far from the main point. Shannon’s depth of imagination and worldbuilding are impressive, as this 800-pager is filled not only with legend, but also with satisfying twists that turn legend on its head. Shannon isn’t new to this game of complex storytelling. Her Bone Season novels (The Song Rising, 2017, etc.) navigate a multilayered society of clairvoyants. Here, Shannon chooses a more traditional view of magic, where light fights against dark, earth against sky, and fire against water. Through these classic pairings, an entirely fresh and addicting tale is born. Shannon may favor detailed explication over keeping a steady pace, but the epic converging of plotlines at the end is enough to forgive.
A celebration of fantasy that melds modern ideology with classic tropes. More of these dragons, please.Pub Date: Feb. 26, 2019
ISBN: 978-1-63557-029-8
Page Count: 848
Publisher: Bloomsbury
Review Posted Online: Dec. 22, 2018
Kirkus Reviews Issue: Jan. 15, 2019
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