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TRUE GRANDEUR

A HOLLYWOOD NOVEL

A melodramatic coming-of-age story with an offensive protagonist.

In actor, producer, and screenwriter Barnes’ debut novel, an aspiring young writer is seduced by Hollywood society life.

Conrad Arlington, a self-described “Last True Artist,” leaves his provincial hometown to move to Los Angeles and pursue his dream of becoming a writer. Later, he meets Gracie Garrison, a seasoned Hollywood socialite, with whom he immediately falls in love. Thus begins Conrad’s descent into what he calls “the great sickness,” as he finds himself helplessly trailing after the elusive Gracie to high-profile cocktail parties, iconic hotel bars, and lusty nightclubs along Hollywood Boulevard and beyond. In doing so, Conrad alternates between railing against himself for caving to his own foolishness and railing against Gracie for her superficiality, her secretiveness, and, most of all, the extent to which he’s crazy about her, in spite of it all. The longer he trails after her, the more determined he becomes to know her secrets, so Conrad tears through LA, drinking heavily, mining Gracie’s acquaintances for answers, and destroying relationships. These obsessional benders are interspersed with periods of forced isolation in which Conrad tries to reckon with his behavior and salvage his creative life. This novel gives readers a mildly intriguing behind-the-scenes peek at the glamorous, corrupting party culture of the Hollywood Hills. The tension between Conrad’s creative ambitions and the way in which love causes him to abandon them is what drives the novel. However, the curiosity that this tension will rouse in the reader is tepid, at best, as the narrator has an unrelenting penchant for arrogance, melodrama, and misogyny. His Hollywood is a sexist, clichéd dystopia in which women exist to accessorize male executives who pass the time draining decanters of scotch and scamming bright-eyed young creatives. Further, the prose is often hyperbolic (“I wanted to kiss her everywhere! Her eyelids! Her nose! Her cheeks! Her mouth! I wanted to see her fully, all golden and silver in the pressing darkness!”). For all the credit that Conrad gives himself for being “The Last True Artist,” he has a surprising lack of awareness of the inanity of his perceptions.

A melodramatic coming-of-age story with an offensive protagonist.

Pub Date: Sept. 20, 2017

ISBN: 978-0-9991610-1-2

Page Count: 280

Publisher: Magic Hour Press

Review Posted Online: Dec. 11, 2017

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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BETWEEN SISTERS

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...

Sisters in and out of love.

Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.

Pub Date: May 1, 2003

ISBN: 0-345-45073-6

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: April 1, 2003

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