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REEF LIFE

AN UNDERWATER MEMOIR

A charming, well-written introduction to coral-reef ecology and the scientists who uncover its mysteries.

A leading ocean scientist examines the mostly bad news concerning the health of the world’s coral reefs in a blend of polemic and memoir.

Roberts, a winner of the Rachel Carson Award and the Mountbatten Award, has been a student of marine biology for more than four decades. “When I began my career as a marine biologist,” he writes, “we knew little about this hidden world.” About the object of his specialized study, he adds, “but as we have come to know coral reefs with ever greater intimacy, we have learned that this world is fragile and increasingly endangered, by us.” The author begins in 1982 with his explorations of the reefs of the Red Sea as a student surrounded by a motley collection of scientists, including a field manager Roberts describes as “a whip-thin bundle of nervous energy.” The oddball types are constants of the field, but knowledge of the oceans has increased considerably during the author’s career. As for the fish—well, he reveals that “an old ichthyological adage says that the average fish lives ten minutes, given the billions of eggs spawned and the miniscule number that make it to adulthood.” A healthy population of seaweed-munching fish is critically important to the health of a reef, and, all things being connected to all other things, the overfishing of reef dwellers means a decline in reefs. In the author’s words, “it is the high intensity of reef herbivory that keeps reefs coral-dominated.” Roberts examines failing reef systems such as those in the Caribbean and particularly the Great Barrier Reef off Australia. Can they be saved? Yes, answers the author, but only if we give up fossil fuels and “embrace renewables with great urgency,” which means that the answer is likely really no.

A charming, well-written introduction to coral-reef ecology and the scientists who uncover its mysteries.

Pub Date: March 3, 2020

ISBN: 978-1-64313-329-4

Page Count: 368

Publisher: Pegasus

Review Posted Online: Jan. 18, 2020

Kirkus Reviews Issue: Feb. 15, 2020

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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