A generous and unflinchingly brave memoir about faith, feminism, and freedom.
A former megachurch worship leader comes to terms with her ailing marriage and a religious system that simultaneously elevated and marginalized her.
As a teen, Hammon, the writer-in-residence for Writers in the Schools in Houston, was a vocal major at the prestigious Fiorello H. LaGuardia High School of Music & Art and Performing Arts in Manhattan. She was well on her way to carving out a career as a songwriter and performer when she became an Evangelical Christian in her mid-20s. It wasn’t exactly the path she’d originally imagined, but her newfound faith and her musical gifts seemingly aligned when she moved to Houston and eventually married her on-again, off-again boyfriend, Matt. The two often led congregations in worship as a team, though they also sometimes took jobs at separate churches. Whether she was fronting the duo or working solo, Hammon began to realize that her scope of influence was limited in the church because she was a woman. In this debut memoir, she chronicles her journey toward a “spiritual midlife,” where she dares to face questions and inconsistencies that are often at odds with conservative Evangelical doctrine. With a rare combination of candor and grace, the author exposes some of Evangelicalism’s frailties without disparaging or dismissing those who are still believers, making her narrative accessible to a wide audience. Hammon wisely focuses on storytelling and lets readers take away what they will. She also details her romantic obsession with another man; though she takes full responsibility for it, she illustrates how patriarchal religious systems and/or disengaged husbands can, among other things, leave women feeling abandoned and secretly longing for extramarital intimacy. Hammon’s story will resonate strongly with anyone who’s become disillusioned with conservative Christianity, especially women who are “trying to find a way to survive their unhappiness without dismantling their lives.”
A generous and unflinchingly brave memoir about faith, feminism, and freedom.Pub Date: Oct. 22, 2019
ISBN: 978-1-940596-32-7
Page Count: 224
Publisher: Lookout Books
Review Posted Online: Aug. 3, 2019
Kirkus Reviews Issue: Sept. 1, 2019
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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