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THE RESTING PLACE

Deep-laid, tightly wound, and very, very cold.

After writing about an investigation into a town that was mysteriously depopulated 60 years ago (The Lost Village, 2021), Swedish author Sten returns for another surgical excavation of the past, this time of her troubled heroine’s family.

Victoria Eleanor Fälth has always had a complicated relationship with the grandmother who raised her after her mother died, but none of that friction has prepared her to find Vivianne Fälth dying and the person who cut her throat escaping. Since Eleanor, as everyone but Vivianne calls her, has prosopagnosia, a condition that makes her unable to recognize faces, she’s the world’s worst eyewitness, and the police quickly abandon the possibility of getting any useful information out of her. Meantime, her grandmother’s hold over her life persists with the news that she’s left Eleanor Solhöga, a country estate Eleanor never knew she’d owned. Invited to inspect the place, Eleanor brings her live-in partner, Sebastian, and probate lawyer Rickard Snäll to help with its inventory. Soon after they arrive, they’re unexpectedly joined by Eleanor’s dislikable aunt, Veronika, but not by Mats Bengtsson, the groundskeeper, who’s gone mysteriously missing. Cut off from the rest of the world by the isolated location and an obligatory blizzard, the visitors lose their cellphone service, then their access to the road back to the outside world, then the electricity that’s kept them warm. All the while, Eleanor, who’s found a diary kept half a century earlier by Vivianne’s Polish-born servant, Anushka, tries to figure out what buried secrets could have led to her grandmother’s murder. The pace, at first maddeningly deliberate, gradually accelerates, unleashing a whirlwind of revelations that will leave some readers still shaking their heads in bewilderment after the fade-out.

Deep-laid, tightly wound, and very, very cold.

Pub Date: March 29, 2022

ISBN: 978-1-2502-4927-2

Page Count: 336

Publisher: Minotaur

Review Posted Online: Dec. 23, 2021

Kirkus Reviews Issue: Jan. 15, 2022

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TO DIE FOR

Fast-moving excitement with a satisfying finish.

The feds must protect an accused criminal and an orphaned girl.

Maybe you’ve met him before as protagonist of The 6:20 Man (2022): Ex-Army Ranger Travis Devine, who’d had the dubious fortune to tangle with “the girl on the train,” is now assigned by his homeland security boss to protect Danny Glass, who's awaiting trial on multiple RICO charges in Washington state. Devine has what it takes: He “was a closer, snooper, fixer, investigator,” and, when necessary, a killer. These skills are on full display as the deaths of three key witnesses grind justice to a temporary halt. Glass has a 12-year-old niece, Betsy Odom, and each is the other’s only living relative—her parents recently died of an apparent drug overdose. The FBI has temporary guardianship of Betsy, who's a handful. She tells Travis that though she’s not yet 13, she's 28 in “life-shit years.” The financially well-heeled Glass wants to be her legal guardian with an eye to eventual adoption, but what are his real motives? And what happens to her if he's convicted? Meanwhile, Betsy insists that her parents never touched drugs, and she begs Travis to find out how they really died. This becomes part of a mission that oozes danger. The small town of Ricketts has a woman mayor who’s full of charm on the surface, but deeply corrupt and deadly when crossed. She may be linked to a subversive group called "12/24/65," as in 1865, when the Ku Klux Klan beast was born. Blood flows, bombs explode, and people perish, both good guys and not-so-good guys. Readers might ponder why in fiction as well as in life, it sometimes seems necessary for many to die so one may live. And what about the girl on the train? She's not necessary to the plot, but she's a fun addition as she pops in and out of the pages, occasionally leaving notes for Travis. Maybe she still wants him dead. 

Fast-moving excitement with a satisfying finish.

Pub Date: Nov. 12, 2024

ISBN: 9781538757901

Page Count: 432

Publisher: Grand Central Publishing

Review Posted Online: Sept. 14, 2024

Kirkus Reviews Issue: Oct. 15, 2024

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THE SILENT PATIENT

Amateurish, with a twist savvy readers will see coming from a mile away.

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A woman accused of shooting her husband six times in the face refuses to speak.

"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.

Amateurish, with a twist savvy readers will see coming from a mile away.

Pub Date: Feb. 5, 2019

ISBN: 978-1-250-30169-7

Page Count: 304

Publisher: Celadon Books

Review Posted Online: Nov. 3, 2018

Kirkus Reviews Issue: Nov. 15, 2018

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