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FRANKIE AND AMELIA

Representations of autistic kids’ friendships are valuable, but this is not the cat’s meow.

A cat in need of a home finds a girl in need of a friend.

Franklin, a massive Maine coon cat who’s been homeless since he was accidentally separated from his person, finds a temporary new home. Franklin is persuaded to come inside by Chester, the therapy dog for Gus, an autistic boy who has seizures—a duo readers met in McGovern’s Chester and Gus (2017). Cat allergies mean Gus’ folks can’t be Franklin’s forever family, but he’s optimistic about Amelia, Gus’ classmate. Amelia adores cats, but Gus is her only friend. She’s an anxious kid, sometimes bullied and sometimes mean herself (once, she’s quite racist about a Korean American classmate’s food). Her parents pressure her to be a mathlete, but though she’s good at arithmetic, Amelia struggles with other types of math and hates being on the team. Conveniently, Franklin can communicate with her (what initially seems like realistic interspecies communication becomes a psychic bond), and he coaches her. Because of Chester, Franklin’s learned that you need to act like a friend to have friends. Amelia’s mother explores whether Amelia might have autism, though differently expressed than in mostly nonverbal Gus, while Franklin convinces Amelia to go back to mathletes. Outsider points of view are common in novels about autistic people, but a pet narrator who says that autism’s not shameful because autistic people just behave like cats is not quite the empowering message it’s intended to be. Main human characters read as White.

Representations of autistic kids’ friendships are valuable, but this is not the cat’s meow. (Fiction. 9-11)

Pub Date: Oct. 26, 2021

ISBN: 978-0-06-246332-6

Page Count: 240

Publisher: Harper/HarperCollins

Review Posted Online: Aug. 31, 2021

Kirkus Reviews Issue: Sept. 15, 2021

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MUSTACHES FOR MADDIE

Medically, both squicky and hopeful; emotionally, unbelievably squeaky-clean.

A 12-year-old copes with a brain tumor.

Maddie likes potatoes and fake mustaches. Kids at school are nice (except one whom readers will see instantly is a bully); soon they’ll get to perform Shakespeare scenes in a unit they’ve all been looking forward to. But recent dysfunctions in Maddie’s arm and leg mean, stunningly, that she has a brain tumor. She has two surgeries, the first successful, the second taking place after the book’s end, leaving readers hanging. The tumor’s not malignant, but it—or the surgeries—could cause sight loss, personality change, or death. The descriptions of surgery aren’t for the faint of heart. The authors—parents of a real-life Maddie who really had a brain tumor—imbue fictional Maddie’s first-person narration with quirky turns of phrase (“For the love of potatoes!”) and whimsy (she imagines her medical battles as epic fantasy fights and pretends MRI stands for Mustard Rat from Indiana or Mustaches Rock Importantly), but they also portray her as a model sick kid. She’s frightened but never acts out, snaps, or resists. Her most frequent commentary about the tumor, having her skull opened, and the possibility of death is “Boo” or “Super boo.” She even shoulders the bully’s redemption. Maddie and most characters are white; one cringe-inducing hallucinatory surgery dream involves “chanting island natives” and a “witch doctor lady.”

Medically, both squicky and hopeful; emotionally, unbelievably squeaky-clean. (authors’ note, discussion questions) (Fiction. 9-11)

Pub Date: Oct. 3, 2017

ISBN: 978-1-62972-330-3

Page Count: 256

Publisher: Shadow Mountain

Review Posted Online: Aug. 1, 2017

Kirkus Reviews Issue: Aug. 15, 2017

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TUCK EVERLASTING

However the compelling fitness of theme and event and the apt but unexpected imagery (the opening sentences compare the...

At a time when death has become an acceptable, even voguish subject in children's fiction, Natalie Babbitt comes through with a stylistic gem about living forever. 

Protected Winnie, the ten-year-old heroine, is not immortal, but when she comes upon young Jesse Tuck drinking from a secret spring in her parents' woods, she finds herself involved with a family who, having innocently drunk the same water some 87 years earlier, haven't aged a moment since. Though the mood is delicate, there is no lack of action, with the Tucks (previously suspected of witchcraft) now pursued for kidnapping Winnie; Mae Tuck, the middle aged mother, striking and killing a stranger who is onto their secret and would sell the water; and Winnie taking Mae's place in prison so that the Tucks can get away before she is hanged from the neck until....? Though Babbitt makes the family a sad one, most of their reasons for discontent are circumstantial and there isn't a great deal of wisdom to be gleaned from their fate or Winnie's decision not to share it. 

However the compelling fitness of theme and event and the apt but unexpected imagery (the opening sentences compare the first week in August when this takes place to "the highest seat of a Ferris wheel when it pauses in its turning") help to justify the extravagant early assertion that had the secret about to be revealed been known at the time of the action, the very earth "would have trembled on its axis like a beetle on a pin." (Fantasy. 9-11)

Pub Date: Nov. 1, 1975

ISBN: 0312369816

Page Count: 164

Publisher: Farrar, Straus and Giroux

Review Posted Online: April 13, 2012

Kirkus Reviews Issue: Nov. 1, 1975

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