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FRONTIER

Odd, atmospheric, and enchanting: a story in which, disbelief duly suspended, one savors improbabilities along with haunting...

Things are strange out there on the fringes, as the always adventurous Can Xue’s latest novel illustrates.

There is magical realism aplenty in the pages of Can Xue’s beguiling story, but magical realism by way of Calvino, not García Márquez. The opening is a scene from a waking dream, in which a young girl named Liujin strains to make out what voices caught in rustling poplar leaves are saying. By the end of the book, by which time the reader has explored every corner of the quiet frontier town and its strange portals, the wind is still blowing, warm and portentous, threatening to become nightmare as Liujin thinks, “Something must be about to happen.” Indeed. Pebble Town is a place where packs of snow leopards think nothing about descending for a visit, a place where walls and floors are never as solid as they appear to be (“Liujin, there’s an abyss below you!”). Just so, a focal point of the town is a guesthouse that is really just a tent alongside a coal shed beneath a dizzying snowcapped mountain—details that may play on the author’s pseudonym, which means “dirty snow.” But then, Liujin wonders in passing, did the city’s best-known hotel, with its snow leopard caged in the lobby, even exist? There’s a hallucinatory quality to the enterprise as Liujin eventually comes into contact with the other dozen or so major players in the novel, among them her uncle, a bachelor janitor whose “heart swelled with erotic dreams” and whose stories intersect in tangential ways. Can Xue has remarked that all of her fiction is at heart autobiographical. This story is so layered with metaphor and mystery that one imagines it to be informed less by real-life circumstances, though, than an effort to elude the ever present censor, who is likely to be baffled by such things as creatures that may be rats or geckos but “were probably only shadows.”

Odd, atmospheric, and enchanting: a story in which, disbelief duly suspended, one savors improbabilities along with haunting images and is left wanting more.

Pub Date: March 14, 2017

ISBN: 978-1-940953-54-0

Page Count: 361

Publisher: Open Letter

Review Posted Online: Jan. 22, 2017

Kirkus Reviews Issue: Feb. 1, 2017

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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