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A FINE ROMANCE

A glamorously bittersweet showbiz memoir.

Award-winning actress Bergen continues the story begun in the best-selling memoir, Knock Wood (1984).

This second installment of the author’s autobiography focuses on the three great loves of her life: her two husbands and her daughter. When she met her first husband, French director Louis Malle (1932-1995), “[s]parks decidedly did not fly.” Less than a year after their first awkward introduction, however, the two were married. The showbiz woman who “dealt strictly in commerce” was soon immersed in a world of elegance and high art alongside a dynamic man she affectionately calls a “cultural commando.” During the early years of her marriage, Bergen struggled with ambivalence over whether or not to have a family. At age 39, she gave birth to a daughter, Chloe, who would in time become even closer to Bergen than the globe-trotting Malle. Her stalled acting career took off shortly afterward when she was chosen to play the lead in the iconic TV series Murphy Brown. By the early 1990s, the show would inspire a “family values” controversy for its fearless portrayal of a hard-driving career woman who becomes an unwed mother. Bergen admits that the success strained relations with her husband. At the same time, it also helped her to carve out her professional identity as a comedian while giving her the “weight” and “self-definition” she needed to define the boundaries of home and family. Her golden life ground to a temporary halt when Malle was diagnosed with a rare and fatal brain disease. Within three years of his death, however, Bergen met her next husband, billionaire New York real estate developer Marshall Rose. More settled than the peripatetic Malle, Rose not only offered the actress entree among the New York City social elite, he also brought her the next great challenge of her life: learning how to appreciate a life genuinely lived in tandem.

A glamorously bittersweet showbiz memoir.

Pub Date: April 7, 2015

ISBN: 978-0-684-80827-7

Page Count: 368

Publisher: Simon & Schuster

Review Posted Online: Dec. 16, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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GENGHIS KHAN AND THE MAKING OF THE MODERN WORLD

A horde-pleaser, well-written and full of surprises.

“The Mongols swept across the globe as conquerors,” writes the appreciative pop anthropologist-historian Weatherford (The History of Money, 1997, etc.), “but also as civilization’s unrivaled cultural carriers.”

No business-secrets fluffery here, though Weatherford does credit Genghis Khan and company for seeking “not merely to conquer the world but to impose a global order based on free trade, a single international law, and a universal alphabet with which to write all the languages of the world.” Not that the world was necessarily appreciative: the Mongols were renowned for, well, intemperance in war and peace, even if Weatherford does go rather lightly on the atrocities-and-butchery front. Instead, he accentuates the positive changes the Mongols, led by a visionary Genghis Khan, brought to the vast territories they conquered, if ever so briefly: the use of carpets, noodles, tea, playing cards, lemons, carrots, fabrics, and even a few words, including the cheer hurray. (Oh, yes, and flame throwers, too.) Why, then, has history remembered Genghis and his comrades so ungenerously? Whereas Geoffrey Chaucer considered him “so excellent a lord in all things,” Genghis is a byword for all that is savage and terrible; the word “Mongol” figures, thanks to the pseudoscientific racism of the 19th century, as the root of “mongoloid,” a condition attributed to genetic throwbacks to seed sown by Mongol invaders during their decades of ravaging Europe. (Bad science, that, but Dr. Down’s son himself argued that imbeciles “derived from an earlier form of the Mongol stock and should be considered more ‘pre-human, rather than human.’ ”) Weatherford’s lively analysis restores the Mongols’ reputation, and it takes some wonderful learned detours—into, for instance, the history of the so-called Secret History of the Mongols, which the Nazis raced to translate in the hope that it would help them conquer Russia, as only the Mongols had succeeded in doing.

A horde-pleaser, well-written and full of surprises.

Pub Date: March 2, 2004

ISBN: 0-609-61062-7

Page Count: 320

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2003

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