A fresh, captivating history of the enduringly colorful Churchill.

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HERO OF THE EMPIRE

THE BOER WAR, A DARING ESCAPE, AND THE MAKING OF WINSTON CHURCHILL

A history of the danger-seeking young Winston Churchill during the Boer War, which “had turned out to be far more difficult and more devastating than the amusing colonial war the British had expected.”

Although Churchill’s life has been amply documented by himself and many others, Millard (Destiny of the Republic: A Tale of Madness, Medicine, and the Murder of a President, 2011, etc.) ably weaves a seamless and gripping narrative of the future statesman’s early career and involvement in the Boer War (1899-1902). It is the story of a man unfailingly convinced of his destiny to lead, undaunted by setbacks, and supremely confident of success. “I do not believe the Gods would create so potent a being as myself for so prosaic an ending,” Churchill wrote to his mother from the bloody battlefield of Malakand. As the author demonstrates, even as a child, Churchill shared his countrymen’s idea that war “was about romance and gallantry.” “There is no ambition I cherish so keenly,” he said, “as to gain a reputation for personal courage.” At 24, he passionately urged Joseph Chamberlain to recover Britain’s prestige in South Africa by avenging a humiliating defeat; in an electrifying speech, he whipped up fervor for war. In October 1899, Churchill’s wish was realized: Britain was at war, and he was off to battle, this time as a journalist. He meant to travel in comfort: along with his personal valet, he brought wine, spirits, liqueur, and luxurious accessories from London’s finest shops. Although he became dramatically involved in the army’s travails, he, along with around 60 officers and soldiers, was taken prisoner. For Churchill, it was a fate almost worse than death. “With the loss of his freedom,” Millard writes, “he had, for the first time, also lost his ferocious grip on life.” In vivid, entertaining detail, the author chronicles Churchill’s audacious escape, which was reported in British newspapers with pride and glee. As Millard concludes, he had proved himself exemplary: “resilient, resourceful and, even in the face of extreme danger, utterly unruffled.”

A fresh, captivating history of the enduringly colorful Churchill.

Pub Date: Sept. 20, 2016

ISBN: 978-0-385-53573-1

Page Count: 416

Publisher: Doubleday

Review Posted Online: June 8, 2016

Kirkus Reviews Issue: July 1, 2016

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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